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New Gospel Revisited
Marquis Hill
Awards:
-
Downbeat, Editor's Pick, May 2022
There are so many moments of “Hell yeah” beauty here, like Francies and Ross serving up a tasty round trading fours on “The Believer,” the Mingus-like drive of “Law And Order,” or the optimistic...
New Gospel Revisited
Marquis Hill
Purchase product
Awards:
-
Downbeat, Editor's Pick, May 2022
There are so many moments of “Hell yeah” beauty here, like Francies and Ross serving up a tasty round trading fours on “The Believer,” the Mingus-like drive of “Law And Order,” or the optimistic...
About
New Gospel Revisited is the new album from the fearless and formidable American composer and trumpeter Marquis Hill. A live recording that revisits and reinterprets his debut 2012 album New Gospel, this time round employing a band of super-heavyweight musicians including Walter Smith III, Joel Ross, James Francies, Kendrick Scott and Harish Raghavan. Marquis Hill’s rise over the last few years has been striking and there’s no letting up. Since winning the prestigious Thelonious Monk Institute Jazz Composition award he has demonstrated full command of his art and built a reputation for synthesizing what he describes as the essential elements of the Africa-American creative heritage including contemporary and classic jazz, hip-hop, R&B, house and neo-soul. Now, his sights are set even higher. New Gospel Revisited, is an extraordinary live recording that reimagines his debut as a leader with a new band, a new focus and a sharpened ear as a bandleader, composer and performer. The set is breathtakingly good with a band that sounds as inventive and creative as it reads on paper.
“… New Gospel was my debut album and my first completed production. To revisit this music in a fresh way, with a new band has been uniquely invigorating —and hugely rewarding.” Marquis Hill
Contents and tracklist
- Marquis Hill, Harish Raghavan
- Marquis Hill, James Francies
Awards and reviews
-
DownbeatEditor's PickMay 2022
May 2022
There are so many moments of “Hell yeah” beauty here, like Francies and Ross serving up a tasty round trading fours on “The Believer,” the Mingus-like drive of “Law And Order,” or the optimistic playfulness of “Autumn,” with Hill bringing out his mute to give the sound that far-away vibe. Hill takes his own solo turn on “New Paths,” and it’s a triumph. So is New Gospel Revisited. If this is the beginning of the next phase of Marquis Hill’s work, we can’t wait for more.