A Quiet Corner In Time began life as a sound work created by composer Simon Fisher Turner for renowned ceramicist Edmund de Waal's installation at the Schindler house in Los Angeles. Fisher Turner and de Waal's collaboration is a metamorphosis of that work into a standalone album release. The album represents the first time de Waal has collaborated so closely with a musician, and draws Simon Fisher Turner's past into the present as it references his early sound work for Derek Jarman's films (he worked with Jarman from Caravaggio up to his final work, Blue).