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Special offer. Munich 2016

Keith Jarrett (piano)

Awards:

From the opening ‘Part I’, a 16-minute storm of thundering polyrhythms and powerful cadences, the muse certainly seemed to have descended on Jarrett that evening. Each piece seems to flash by...

Special offer. Munich 2016

Keith Jarrett (piano)

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2 CDs

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Awards:

From the opening ‘Part I’, a 16-minute storm of thundering polyrhythms and powerful cadences, the muse certainly seemed to have descended on Jarrett that evening. Each piece seems to flash by...

About

A solo concert from Keith Jarrett - recorded at Munich’s Philharmonic Hall on July 16, 2016, on the last night of a European tour - finds the great improvising pianist at a peak of invention.

Creating a spontaneous suite of forms in the moment with the assurance of a master builder - interspersing touches of the blues and folksong lyricism between pieces of polyrhythmic and harmonic complexity - he delivers one of his very finest performances. An attentive and appreciative audience hangs on every note, every nuance, and is rewarded with some tender encores including a magical version of “It’s a Lonesome Old Town”.

There is, still, nothing else like a Keith Jarrett solo concert. “Through a series of brilliant solo performances and recordings that demonstrate his utterly spontaneous creativity,” the Polar Music Prize committee noted a few years ago, “Keith Jarrett has simultaneously lifted piano improvisation as an art form to new, unimaginable heights.”

Contents and tracklist

Awards and reviews

  • Jazzwise
    Editor's Choice
    February 2020

February 2020

From the opening ‘Part I’, a 16-minute storm of thundering polyrhythms and powerful cadences, the muse certainly seemed to have descended on Jarrett that evening. Each piece seems to flash by brimming with allusions – 20th century European composers, Shostakovich (a favourite) and maybe Hindemith?

Feburary 2020

With Munich 2016, the overall pattern in his spontaneous composing is easy to spot: Featuring free-form exposition, tension between segments, skipping along through breezy arpeggios,riffing on dark, sharp-edged chords, vamping on cool blues and soothing with warm harmonizations.
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