Eddie Sauter's Music Time

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Release Date: 1st Jul 2016
Catalogue No: JAH-460
Label: Jazzhaus Records
Length: 74 minutes

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Rutheford Greene, Count Basie: High Tide (Live)

Work length5:39

Eddie Sauter Orchestra

Sauter, Eddie: Superman (Live)

Work length4:20

Eddie Sauter Orchestra

Isham Jones: It Had to Be You (Live)

Work length3:19

Eddie Sauter Orchestra

Rodgers, R: My Funny Valentine (Live)

Work length5:06

Eddie Sauter Orchestra

Dave Hildinger: Was ist los in Baden-Oos (Live)

Work length7:25

Eddie Sauter Orchestra

Solal: Dernière minute (Live)

Work length2:25

Eddie Sauter Orchestra

Dave Hildinger: Kopf hoch (Live)

Work length3:46

Eddie Sauter Orchestra

Basie: Easy Does It (Live)

Work length5:08

Eddie Sauter Orchestra

Lane, B: Old Devil Moon (Live)

Work length3:03

Eddie Sauter Orchestra

Sauter, Eddie: Three on a Match (Live)

Work length4:18

Eddie Sauter Orchestra

Hans Hammerschmid: Street Market (Live)

Work length3:24

Eddie Sauter Orchestra

Loesser: Suddenly It's Spring (Live)

Work length5:02

Eddie Sauter Orchestra

Dave Hildinger: Little Girl in a Big City (Live)

Work length3:01

Eddie Sauter Orchestra

Sauter, Eddie: Hightor (Live)

Work length4:07

Eddie Sauter Orchestra

Dave Hildinger: Reeperbahn (Live)

Work length4:18

Eddie Sauter Orchestra

Hans Hammerschmid: Porte au Prince (Live)

Work length4:02

Eddie Sauter Orchestra

Dave Hildinger: Spook Walk (Live)

Work length5:59

Eddie Sauter Orchestra

About
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About

Eddie Sauter, who was originally a trumpeter and had been part of the competence team of Benny Goodman, took over Kurt Edelhagen’s orchestra at the Südwestfunk (SWF) in 1957. Here he had the first time in his career the freedom of conducting a jazz Big Band without a co-leader– which was a great opportunity, but turned out to be also a lot of stress. In 1959 Sauter returned to the United States and there proved his talent for creating a transparent presence with works of film music and the album Focus (1961) by Stan Getz.

In his music, Sauter managed to transfer a cool reduction of bebop bustle into large form without seeming too cool himself. The broadcast concert series Eddie Sauter’s Music Time became the podium for his experiments. The recordings from the SWR archives were made in the winter of 1957/58 at, among other places, Freiburg and Kaiserslautern, and document a programme which, carried off with plenty of American humor, held the balance among standards, originals and experiments.

Eddie Sauter's Music Time

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