Nussbaum Cohen’s countertenor is characterised by its richness and warmth, wielded with great technical skill; it’s a voice which has considerable, often surprising, heft and depth allowing... — BBC Music Magazine, March 2025, 4 out of 5 starsMore…

creative programming...superbly performed with heart, soul and class, through interpretations ringing with the album’s underlying concept, and four fascinating additions to the repertoire to... — Gramophone Magazine, January 2025More…

There is a lot to admire and return to on this disc… [Craxton] often finds the right nuances and she has fine sense for the musical phrase. — MusicWeb InternationalMore…

Symphony No. 2 exudes particular passion and vigour, with lively tempi that occasionally tax the ensemble cohesion...[No. 4] is less elegiac than usual, with a song-like lyricism, often at the... — Gramophone Magazine, Awards Issue 2013More…

Stegall has a sweet-toned, attractive sound, with moments of great tenderness and beauty. But his interpretative voices are occasionally bewildering…Zivin, on an 1841 Viennese Rausch fortepiano,... — BBC Music Magazine, October 2019, 3 out of 5 starsMore…