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Debussy - La fille aux cheveux de lin (Leconte de Lisle)
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Debussy Songs Volume 4
Lucy Crowe (soprano), Malcolm Martineau (piano)
with Jennifer France (soprano), Christopher Maltman (baritone), Lucy Wakeford (harp)
In many ways Crowe’s bright, pure tone suits the music well: she is extremely precise and can spin out the lightest of silken vocal lines without any extraneous fuss. Her delicacy is admirable,... —
Awards:
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Gramophone Magazine, March 2018, Editor's Choice
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Gramophone Awards, 2018, Shortlisted - Solo Vocal
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Roset's light lyric voice stretches high above the stave with a rapid fire coloratura that takes no prisoners, yet when she reaches for the vocal horizon in Koechlin's 'M'a dit Amour' her diction... —
Awards:
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Gramophone Magazine, February 2026, Editor's Choice
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Debussy: The Complete Works
Artists include Martha Argerich, Pierre-Laurent Aimard, Samson François, Renaud Capuçon, Natalie Dessay, André Cluytens, François-Xavier Roth, Jean Martinon, Michel Plasson, Kent Nagano and Carlo Maria Giulini
Exhaustive, the sum of the crème de la crème of the discography...THE Debussy box set to have…No richer panorama exists for the melodies (the complete EMI recordings alongside never-before-released... —
Awards:
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Diapason d’Or de l’Année, 2018, Winner - Archive
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Debussy: Songs, Vol. 1
Véronique Gens (soprano vocals), Roger Vignoles (piano), Marie-Ange Todorovitch (mezzo-soprano vocals), Jean-Louis Haguenauer (piano), Magali Léger (soprano vocals), Mady Mesplé (soprano vocals), Dalton Baldwin (piano), Liliana Faraon (soprano vocals), Natalie Dessay (soprano vocals), Philippe Cassard...
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James Galway: Serenade
James Galway (flute), Philip Moll (piano), Marisa Robles (harp), Kazuhito Yamashita (guitar), Ayako Shinozaki (harp)
National Philharmonic Orchestra, The Chamber Orchestra of Europe, The Royal Philharmonic Orchestra, Tokyo String Orchestra, David Measham, Myung-Whun Chung, Charles Gerhardt,...
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Debussy: Song For His Muse
Gillian Keith (soprano), Simon Lepper (piano) & Cecilia Maria de Sultana (harp)
Keith sings with poise, and she certainly possesses the necessary ease at the top, delivering without a hint of a problem those rather cruel high notes which Debussy suddenly throws in…[Lepper]... —
