Browse: Rossi, M - O miseria d'amante

their finely balanced, blended voices and precision of tuning mean they sound good in everything from John Tavener’s The Lamb to some 17th-century Italian polyphony by Michelangelo Rossi or Henri... — The Guardian, 19th October 2017, 3 out of 5 stars More…

Curtis's harpsichord solos set the bar high in this set. Il Complesso Barocco fields a stylish consort of singers in Lotti's 1705 duets and trios, but Rossi's harmonies require a finer blend. — BBC Music Magazine, October 2013, 4 out of 5 stars More…