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As well as showing her ability to weave around a wide-ranging phrase, apparent in the first song on the disc, 'Einerlei', and incorporating a useful chest voice, she shows a wicked penchant... — More…
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Gramophone Magazine, February 2013, Editor's Choice
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Special offer. R. Strauss & Reger: Lieder Mit Und Ohne Worte
Sheva Tehoval (soprano), Georg Michael Grau (piano)
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This sparkling Kyrgyzstan-born light-lyric soprano recently scored a palpable hit as Sophie in the Bavarian State Opera’s live-streamed Der Rosenkavalier, and that same combination of crystalline... — More…
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Presto Editor's Choice, March 2021
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Special offer. Urlicht - Works By Mahler & Strauss
Alois Muhlbacher (counter-tenor), Franz Farnberger (piano)
His performances of Urlicht and Ich bin der Welt are uncanny in their rapt stillness and vocal control — More…
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Opus Klassik Awards, 2023, Nominated - Male Singer of the Year, Solo Vocal & Young Talent
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Few voices of this kind scale down effectively in song recital, but Bullock has a spectrum of vocal colours which she puts at intelligent service of the text - and in Malcolm Martineau she has... — More…
Awards:
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BBC Music Magazine, March 2007, Choral & Song Choice
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Special offer. R. Strauss: Vier letzte Lieder & 12 Lieder
Lucia Popp (soprano), Wolfgang Sawallisch (piano)
London Philharmonic Orchestra, Symphonieorchester des Bayerischen Rundfunks, Klaus Tennstedt, Bernard Haitink
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Masters of the Past Newly Discovered
Marta Wróblewska (soprano), Maciej Gocman (tenor), Jan Mędrala (counter-tenor), Piotr Zawistowski (bass)
Early Music Ensemble Diletto, Anna Moniuszko
This disc is an interesting example of the influence of Italian music at the edge of Europe. The first traces of the influences of the Italian style go back to the early 17th century. Nothing... — More…
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Strauss: Don Juan, Metamorphosen & Songs for Soprano & Piano
Joan Rodgers (soprano) & Jan Latham-Koenig (conductor/piano)
Strasbourg Philharmonic Orchestra
Joan Rodgers's singing...has bags of personality and that's the main thing...Tone-poem and elegy both start well, but have their problematic interpretative moments...The central sweep, though,... — More…
