In Addio Amore, Kammerorchester Basel, soprano Jeanine De Bique and countertenor Terry Wey present a programme of searing intensity and refined expressive beauty, exploring the fragile threshold between love and loss in 18th-century opera. Inspired by a world in which singing was not merely an expression of virtuosity, but the most direct language of the heart, this recording explores the emotional core of the farewell moment—when lovers, friends, and heroes are torn apart, and music becomes the only source of consolation.

Across arias and duets of striking intimacy, the album reveals how composers from Albinoni to Hasse transformed separation, abandonment, and death into some of the most poignant musical utterances of their time, creating a shared language of expressive extremes where tenderness and grief exist side by side. For Jeanine De Bique and Terry Wey, this is a debut album on PENTATONE, while Kammerorchester Basel appeared on Anime Immortali (2023) and Haydn Stabat Mater (2023).