Marco Enrico Bossi piano music accompanies almost his entire creative life: from his first mazurka, composed at age 14, to the five concert pieces of Op. 137, the piano represents almost a moment of compositional relaxation compared to the organ, chamber music, and large symphonic-choral works, albeit with the inevitable challenges connected to the evolution of his style.

Giulio Giurato, already pianist interpreter of the complete recording of Bossi’s instrumental chamber music (Tactus, TC862704/05/06/07 – TC860204), now dedicates himself as a soloist to this world premiere recording of the piano works by the great Italian composer. Works that are still virtually unknown today, revealing how much ground still needs to be covered in order to arrive at a complete assessment of the composer’s mastery.