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New. Edvard Grieg: Lyric Pieces, Volume 2

Peter Donohoe (piano)

Edvard Grieg: Lyric Pieces, Volume 2
Peter Donohoe follows the line of thought in his well-chosen selection of pieces with exquisite fidelity.

New. Edvard Grieg: Lyric Pieces, Volume 2

Peter Donohoe (piano)

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Peter Donohoe follows the line of thought in his well-chosen selection of pieces with exquisite fidelity.

About

Born in Manchester in 1953, Peter Donohoe studied at Chetham’s School of Music for seven years, graduated in music from Leeds University, and went on to study at the Royal Northern College of Music with Derek Wyndham, and then in Paris with Olivier Messiaen and Yvonne Loriod. He is acclaimed as one of the foremost pianists of our time, for his musicianship, stylistic versatility, and commanding technique, a critic concluding in Musical Opinion that ‘I cannot imagine a living pianist capable of improving upon Donohoe’s outstanding artistry’. Following his previous volume of Grieg’s Lyric Pieces (CHAN 20254), this double-album presents the remaining 39 pieces, alongside the Ballade, Op.24. Born in Bergen in 1843, Grieg is widely regarded as Norway’s “National Composer”. Grieg wrote for the piano throughout his career, but eschewed the German Sonata in favour of miniatures, which he named Lyriske stykker (Lyric pieces). Often influenced by the folk-music of his native Norway, these works were published in 10 volumes. Rather than recording them sequentially, Peter Donohoe has arranged the pieces in an order of his own choosing.

Contents and tracklist

No. 2, Bestemors menuet
Track length2:08
No. 3, For dine føtter
Track length2:31
No. 7, Elegi
Track length2:47
No. 4, Halling
Track length1:20
No. 3, Fransk serenade
Track length2:18
No. 6, Hjemad
Track length2:31

Awards and reviews

October 2026

Peter Donohoe follows the line of thought in his well-chosen selection of pieces with exquisite fidelity.

October 2026

Donohoe's skill is to give the slighter pieces, like 'Vals', Op 38 No 7, space to exist in their own right, rather than to draw unnecessary drama. That can be found in 'Troldtog', Op 54 No 3 (the less famous sibling of 'In the Hall of the Mountain King'), which contrasts the marching trolls with the impending sunrise.
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