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Special offer. Lionel Rogg Organ Works

Anne Page (organ)

It opens and closes with toccatas, the Toccata ritmica providing an incisive, modernist twist on a Baroque form that builds up mysterious energy, especially in the hands (and feet) of the Australian-born,...

Special offer. Lionel Rogg Organ Works

Anne Page (organ)

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It opens and closes with toccatas, the Toccata ritmica providing an incisive, modernist twist on a Baroque form that builds up mysterious energy, especially in the hands (and feet) of the Australian-born,...

About

One of the world’s most renowned organists and composer for the instrument, Lionel Rogg, celebrates his 90th birthday on 21 April 2026. To mark this event, we are delighted to release this new recording presenting a varied selection of Rogg’s organ works, chosen by organist, Anne Page, and ranging from the small­scale collection ‘Neuf pièces brèves’ (Nine short pieces) to the demanding large­scale suite ‘Hommage à Takemitsu’, ‘Yorokobi – Pièce Joyeuse’, and two virtuoso Toccatas which open and close the programme.

The 1987, 52­stop Rieger organ (recently restored by the original builder) of St Marylebone Church in London, which is used by the Royal Academy of Music for teaching and performance, is the ideal instrument for the realisation of Rogg’s organ music, having a wealth of modern colours in a warm acoustic, and with a clarity that benefits the often contrapuntal and strongly rhythmic nature of the music.

Born in Geneva, Switzerland in 1936, Lionel Rogg rose to prominence as a performer of the organ works of JS Bach, of which he has made three complete recordings. His discography also includes the complete works of Buxtehude (Deutscher Schallplattenpreis 1980), Couperin, Grigny, Brahms, and music by Liszt, Reger, Spanish music (Prix de l’Académie du Disque Français), and much more. He has given innumerable organ (and occasionally harpsichord) recitals in every European country, the far east, north and south America, Australia, Japan, and Korea, and was Professor of Organ at the Conservatory of Geneva until 2002. Rogg’s own music adroitly combines his love of counterpoint with contemporary developments, but always with an emphasis on colour, rhythm, and spontaneity. Often adventurous in its harmonic language, but not without a touch of humour!

Contents and tracklist

I. Plain chant en taille
Track length1:01
II. Duo
Track length0:45
III. Animato
Track length1:14
IV. Andante
Track length1:14
V. Final
Track length3:27
No. 1, Prélude
Track length2:33
No. 2, Pastorale
Track length2:49
No. 3, Interlude
Track length1:13
No. 4, Berceuse
Track length2:35
No. 5, Ground
Track length1:51
No. 6, Petit dialogue chromatique
Track length1:59
No. 7, Mélodie
Track length2:50
No. 8, Méditation
Track length4:02
No. 9, Choral "Christus, der uns selig macht"
Track length2:56
No. 1, La Terre
Track length6:26
No. 2, L’Eau
Track length3:55
No. 3, Le Feu
Track length4:19
No. 4, L’Air
Track length4:33

Awards and reviews

July 2026

It opens and closes with toccatas, the Toccata ritmica providing an incisive, modernist twist on a Baroque form that builds up mysterious energy, especially in the hands (and feet) of the Australian-born, Cambridge-based organist Anne Page. All her performances exploit the colours of the neoClassical Rieger organ (1987) at St Marylebone Parish Church.
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