Reimann: Ein Traumspiel / Denn Bleiben ist nirgends
Hofer Symphoniker, Deutsches Symphonie-Orchester Berlin, Walter E. Gugerbauer, Manuel Nawri
Overall, these are skilled, diligent performances of both of Reimann's scores, made by two orchestras with different conductors in 2018 and 2014 respectively. Indeed, the orchestral writing...
Reimann: Ein Traumspiel / Denn Bleiben ist nirgends
Hofer Symphoniker, Deutsches Symphonie-Orchester Berlin, Walter E. Gugerbauer, Manuel Nawri
Purchase product
Overall, these are skilled, diligent performances of both of Reimann's scores, made by two orchestras with different conductors in 2018 and 2014 respectively. Indeed, the orchestral writing...
About
After 54 years, I heard my ‘Traumspiel’ just as I had imagined it! (Aribert Reimann on the Hof performance). “Ein Traumspiel” (A Dream Play) – Aribert Reimann's first opera – is finally available on CD, in the production by the Hof Theater that was enthusiastically acclaimed by critics and opera audiences alike. The visually stunning “Traumspiel” captivates from the very first note with its melodic diversity and intensity. Aribert Reimann succeeds in bringing the underlying theme of August Strindberg's play, compassion, to life in a sensual way, and at the end gives Indra's daughter a gift package of human worries, sufferings, and complaints, tied up with masterful music, to take with her to the afterlife to the god Indra. In addition to August Strindberg, Reimann was also inspired by the poetry of Rainer Maria Rilke, although he takes a completely different musical approach to Rilke's first “Duino Elegy”: in his composition “Denn Bleiben ist nirgends” (For to Stay is to be Nowhere), he combines the text, recited by a speaker, with a symphony orchestra playing in a broad, expansive style to create a melodrama.
Contents and tracklist
- Opernchor des Theaters Hof, Franziska Rabl (mezzo-soprano), Daniel Milos (bass-baritone), Karsten Jesgarz (tenor), Laura Louisa Lietzmann (soprano), Rainer Mesecke (bass-baritone)
- Hofer Symphoniker
- Walter E. Gugerbauer
- Opernchor des Theaters Hof, Franziska Rabl (mezzo-soprano), Daniel Milos (bass-baritone), Karsten Jesgarz (tenor), Laura Louisa Lietzmann (soprano), Rainer Mesecke (bass-baritone), Stefanie Rhaue (mezzo-soprano), Christiane Seidel (baritone), Yvonne Prentki (soprano), James Tolksdorf (baritone), Minseok Kim (tenor), Wladimir Polatynski (bass-baritone), Thilo Andersson (tenor), Joscha Blatzheim (tenor)
- Hofer Symphoniker
- Walter E. Gugerbauer
- Franziska Rabl (mezzo-soprano), Karsten Jesgarz (tenor), James Tolksdorf (baritone), Bärbel Kubicek (soprano), Rainer Mesecke (bass-baritone), Yvonne Prentki (soprano), Peter Potzelt (tenor), Marek Reichert (baritone), Minseok Kim (tenor), Opernchor des Theaters Hof, Daniel Milos (bass-baritone), Laura Louisa Lietzmann (soprano), Stefanie Rhaue (mezzo-soprano), Wladimir Polatynski (bass-baritone), Thilo Andersson (tenor), Joscha Blatzheim (tenor), Christiane Seidel (baritone)
- Hofer Symphoniker
- Walter E. Gugerbauer
- Martin Engler
- Deutsches Symphonie-Orchester Berlin
- Manuel Nawri
Awards and reviews
May 2026
Overall, these are skilled, diligent performances of both of Reimann's scores, made by two orchestras with different conductors in 2018 and 2014 respectively. Indeed, the orchestral writing arguably registers as the most striking elements of both.
