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Special offer. Brahms: Trio Op. 114. Robert & Clara Schumann: Romances

Tabea Zimmermann (viola), Javier Perianes (piano), Jean-Guihen Queyras (cello)

Awards:

With a dynamic palette that ranges from a whisper to a wail, the viola player and her superb, sensitive pianist Javier Perianes take us on an emotionally wrenching journey in just over five...

Special offer. Brahms: Trio Op. 114. Robert & Clara Schumann: Romances

Tabea Zimmermann (viola), Javier Perianes (piano), Jean-Guihen Queyras (cello)

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This release includes a digital booklet

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Awards:

With a dynamic palette that ranges from a whisper to a wail, the viola player and her superb, sensitive pianist Javier Perianes take us on an emotionally wrenching journey in just over five...

About

The empathy between Robert and Clara Schumann, Joseph Joachim and Johannes Brahms engendered one of Romanticism’s most fruitful artistic friendships. With the aim of mining the precious jewels of that unique intimacy, three great artists have devised a programme in the form of a poetic conversation; here chamber music once more becomes shared human emotion in its purest expression.

Contents and tracklist

I. Nicht schnell
Track length3:33
II. Einfach, innig
Track length4:06
III. Nicht schnell
Track length4:27
I. Andante molto
Track length3:33
II. Allegretto. Mit zartem Vortrage
Track length3:19
III. Leidenschaftlich schnell
Track length4:10
I. Sostenuto
Track length4:40
II. Grave
Track length7:29
III. Andante cantabile
Track length6:49
I. Allegro
Track length8:03
II. Adagio
Track length7:32
III. Andantino grazioso
Track length5:05
IV. Allegro
Track length4:57

Awards and reviews

  • Gramophone Magazine
    June 2026
    Editor's Choice

June 2026

With a dynamic palette that ranges from a whisper to a wail, the viola player and her superb, sensitive pianist Javier Perianes take us on an emotionally wrenching journey in just over five minutes...A marvellous release in every way.

30th March 2026

Aside from Brahms’s gutsy scherzo to the collaborative F-A-E Sonata, she gets her biggest workout in some ways in Joseph Joachim’s three Hebrew Melodies, where she reaches down into the instrument’s darkly alluring bottom register: not an excavation required in any of the other works, originally featuring the violin, oboe or clarinet.
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