Brahms: Piano Concerto No. 2 & Three Intermezzi Op. 117
Francesco Piemontesi (piano), Gewandhausorchester Leipzig, Manfred Honeck
Awards:
-
Presto Recordings of the Year, Winner 2025
The opening horn calls and the piano’s response immediately lands us into the composer’s trademark long-legged melodies, coloured and shaped by Piemontesi with vigour and sensitivity — a soloist,...
Brahms: Piano Concerto No. 2 & Three Intermezzi Op. 117
Francesco Piemontesi (piano), Gewandhausorchester Leipzig, Manfred Honeck
Purchase product
Awards:
-
Presto Recordings of the Year, Winner 2025
The opening horn calls and the piano’s response immediately lands us into the composer’s trademark long-legged melodies, coloured and shaped by Piemontesi with vigour and sensitivity — a soloist,...
About
Francesco Piemontesi, conductor Manfred Honeck, and the Gewandhausorchester Leipzig come together in a new recording of Brahms’ Piano Concerto No. 2. This concerto transcends the traditional form, blending symphonic grandeur with virtuosic brilliance and moments of intimate chamber-like dialogue between piano and orchestra. Piemontesi’s sensitive playing and Honeck’s precise, passionate leadership create a richly detailed and moving interpretation of one of Brahms’s greatest masterpieces. Alongside the concerto are Brahms’ Three Intermezzi, Op. 117 - quiet, reflective pieces that offer a window into the composer’s most personal thoughts.
Francesco Piemontesi, one of today’s most-cherished pianists, presents the fifth release in his exclusive collaboration with PENTATONE, following the widely praised Schubert – Last Piano Sonatas (2019), Bach Nostalghia (2021), Schoenberg, Messiaen & Ravel (2022), and Liszt Transcendental Etudes & Piano Sonata (2023).
Contents and tracklist
Spotlight on this release
-
An error occurred.
Try watching this video on www.youtube.com, or enable JavaScript if it is disabled in your browser.
-
An error occurred.
Try watching this video on www.youtube.com, or enable JavaScript if it is disabled in your browser.
Awards and reviews
-
Presto Recordings of the YearWinner 2025
The opening horn calls and the piano’s response immediately lands us into the composer’s trademark long-legged melodies, coloured and shaped by Piemontesi with vigour and sensitivity — a soloist, moreover, in perfect harmony with the surrounding orchestra, this concerto’s key requirement… Another pleasure lies in store when Piemontesi fills out the album with the composer’s three late Intermezzi, Op 117…
