Shades Of Mourning
Tamar Sagiv, featuring Leerone Hakami and Ella Bukszpan
Awards:
-
BBC Music Magazine, December 2025, Instrumental Choice
Stylistically, her solo music is melodic and oddly timeless, and indeed placeless, somehow evoking both Bach and Dave Holland. An allusion to the music of her own culture is inevitable but facile...
Shades Of Mourning
Tamar Sagiv, featuring Leerone Hakami and Ella Bukszpan
Purchase product
Awards:
-
BBC Music Magazine, December 2025, Instrumental Choice
Stylistically, her solo music is melodic and oddly timeless, and indeed placeless, somehow evoking both Bach and Dave Holland. An allusion to the music of her own culture is inevitable but facile...
About
I am writing these words while the Middle East, my place of birth, my roots, is bleeding. There are no words that can describe the pain, loss and suffering I see in the land and its people on a daily basis. Like me, my friends, family, and neighbors who live on the other side of these fences that were built to divide us, carry an excruciating pain that grows deeper as the wars continue - pain that will live in hearts and souls for generations to come. I wanted this project to bring people together through music. My grandfather, born in Syria and shaped by hardship, believed in peace until his last day. Because of him, I believe in peace, and I hope this is one belief I will never have to grieve. The sonic landscape of conflict—the sudden silence after chaos, the irregular heartbeat of distant artillery, that unnatural quiet following destruction—has inevitably found its way into my musical language. These experiences of personal loss, collective grief, and enduring hope became the foundation for the music in this album, each piece exploring different sides and shades of mourning.
Contents and tracklist
- Ella Bukszpan, Tamar Sagiv, Leerone Hakami
Awards and reviews
-
BBC Music MagazineDecember 2025Instrumental Choice
December 2025
Stylistically, her solo music is melodic and oddly timeless, and indeed placeless, somehow evoking both Bach and Dave Holland. An allusion to the music of her own culture is inevitable but facile given her focus on transcultural elements such as the keening vocalese she adds to her deeply dug and occasionally knowingly and deliberately under-refined instrumental lines.
