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Brahms & Wolf: Lieder

Florian Boesch (baritone), Malcolm Martineau (piano)

Awards:

Here's a recital to make you think again about the 19th-century German lieder tradition...Boesch has an instinct for the drama of such songs, with exemplary attack and a dark grained tone that...

Brahms & Wolf: Lieder

Florian Boesch (baritone), Malcolm Martineau (piano)

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Awards:

Here's a recital to make you think again about the 19th-century German lieder tradition...Boesch has an instinct for the drama of such songs, with exemplary attack and a dark grained tone that...

About

Baritone Florian Boesch and pianist Malcolm Martineau continue their successful collaboration on Linn with a recital pairing two geniuses who hated each other. Exploring the rivalry between Johannes Brahms and Hugo Wolf, the album showcases some of their most compelling songs which express deep emotion and philosophical themes. Brahms's Vier ernste Gesange, written in memory of Clara Schumann, contrasts melancholy with transcendence, whilst lieder like Sehnsucht and Die Trauernde evoke poignant pain and unresolved longing. Wolf, in his Goethe and Michelangelo songs, captures profound existential reflections, contrasting fame with love and weaving harmonies that echo the complexities of human emotion. The album concludes with Wolf's Prometheus, a tour-de-force of maximum power befitting Florian and Malcolm, two giants of the lieder scene.

Contents and tracklist

No. 1, Denn es gehet dem Menschen
Track length4:02
No. 2, Ich wandte mich
Track length3:33
No. 3, O Tod, wie bitter bist du
Track length3:41
No. 4, Wenn ich mit Menschen und mit Engelszungen redete
Track length4:54
No. 1, Harfenspieler I
Track length3:19
No. 2, Harfenspieler II
Track length2:17
No. 3, Harfenspieler III
Track length2:25
No. 1, Wohl denk’ ich o 
Track length1:52
No. 2, Alles endet, was entstehet
Track length3:23
No. 3, Fühlt meine Seele
Track length3:39

Awards and reviews

September 2025

Here's a recital to make you think again about the 19th-century German lieder tradition...Boesch has an instinct for the drama of such songs, with exemplary attack and a dark grained tone that matches their subject matter.

August 2025

It says a great deal for the quality of the baritone’s artistry that he’s so persuasive across such a range: serious but never portentous; concentrated but able also to relax the voice and his interpretation to disarming effect...There are idiosyncrasies here, but this is nevertheless a serious, distinguished album, and beautifully recorded, too.
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