Help
Skip to main content

György Kurtág: Kafka Fragments, Op. 24

Curtis Macomber (violin), Susan Narucki (soprano)

György Kurtág: Kafka Fragments, Op. 24

Awards:

[Narucki is] the latest in a line of distinguished singers taking on the challenge of these coiled little outbursts.The average length of these sections is just over a minute, and one of the...

György Kurtág: Kafka Fragments, Op. 24

Curtis Macomber (violin), Susan Narucki (soprano)

Purchase product

CD

$17.50

1 in stock: usually despatched within 1 working day

Download

From$11.00

Download

Audio formats guide

96 kHz, 24 bit, FLAC/ALAC/WAV

$18.00

44.1 kHz, 16 bit, FLAC/ALAC/WAV

$15.00

320 kbps, MP3

$11.00

This release includes a digital booklet

Stream now Hi-Res 96 kHz, 24 bit
Fair Play.
We pay more royalties to artists and composers than any other streaming service with our innovative Fair Play pay-per-second model
We pay artists and composers fairly with our pay-per-second model

Awards:

[Narucki is] the latest in a line of distinguished singers taking on the challenge of these coiled little outbursts.The average length of these sections is just over a minute, and one of the...

About

GRAMMY Award-winning American soprano Susan Narucki is one of today's most committed advocates of the music of our time. Her deep and lasting working relationship with György Kurtág dates to 1986, the year the Hungarian composer penned his iconoclastic chamber work Kafka Fragments. Susan instinctively imbues the work with the widely varied moods of anguish, longing and rage alongside humour, absurdity and ecstasy that the texts convey.

Arranged over four sectis, Kurtág sets 40 extracts from the diaries and letters of the mercurial novelist Franz Kafka. Despite being his largest song-cycle, Kurtág deploys his signature miniature style: many of the movements last less than a minute long.

Joining Susan is one of today's foremost interpreters of contemporary classical music, violinist Curtis Macomber. Together they prove to be the perfect proponents of Kurtág's idiosyncratic fusion of poetry and music.

Contents and tracklist

Pt. 1, No. 1. Die Guten gehen im gleichen Schritt…
Track length1:09
Pt. 1, No. 2. Wie ein Weg im Herbst
Track length0:35
Pt. 1, No. 3. Verstecke
Track length0:21
Pt. 1. No. 4. Ruhelos
Track length0:23
Pt. 1, No. 5. Berceuse I
Track length0:52
Pt. 1, No. 6. Nimmermehr
Track length1:18
Pt. 1, No. 7. "Wenn er mich immer frägt"
Track length0:29
Pt. 1, No. 8. Es zupfte mich jemand am Kleid
Track length0:13
Pt. 1, No. 9. Die Weissnäherinnen
Track length0:29
Pt. 1, No. 10. Szene am Bahnhof
Track length0:15
Pt. 1, No. 11. Sonntag, den 19. Juli 1910 (Berceuse II)
Track length1:07
Pt. 1, No. 12. Meine Ohrmuschel…
Track length0:14
Pt. 1, No. 13. Einmal brach ich mir das Bein
Track length0:39
Pt. 1, No. 14. Umpanzert
Track length0:25
Pt. 1, No. 15. Zwei Spazierstöcke
Track length0:59
Pt. 1, No. 16. Keine Rückkehr
Track length1:00
Pt. 1, No. 17. Stolz (1920 / 15. November, zehn Uhr)
Track length0:46
Pt. 1, No. 18. Traümend hing die Blume
Track length2:10
Pt. 1, No. 19. Nichts dergleichen
Track length1:10
Pt. 2. Der wahre Weg
Track length6:57
Pt. 3. No. 1. Haben? Sein?
Track length0:41
Pt. 3, No. 2. Der Coitus als Bestrafung
Track length0:25
Pt. 3, No. 3. Meine Festung
Track length1:00
Pt. 3, No. 4. Schmutzig bin ich, Milena…
Track length1:38
Pt. 3, No. 5. Elendes Leben (Double)
Track length0:18
Pt. 3, No. 6. Der begrenzte Kreis
Track length0:26
Pt. 3, No. 7. Zeil, Weg, Zögern
Track length0:38
Pt. 3, No. 8. So fest
Track length0:51
Pt. 3, No. 9. Verstecke (Double)
Track length1:14
Pt. 3, No. 10. Penetrant Jüdisch
Track length0:22
Pt. 3, No. 11. Staunend sahen wir das grosse Pferd
Track length2:11
Pt. 3, No. 12. Szene in der Elektrischen
Track length4:25
Pt. 4, No. 1. Zu spät
Track length3:39
Pt. 4, No. 2. Eine lange Geschichte
Track length0:55
Pt. 4, No. 3. In Memoriam Robert Klein
Track length0:40
Pt. 4, No. 4. Aus einbehalten Notizbuch
Track length0:57
Pt. 4, No. 5 Leoparden
Track length1:57
Pt. 4, No. 6. In Memoriam Joannis Pilinszky
Track length2:13
Pt. 4, No. 7. Wiederum, wiederum
Track length1:36
Pt. 4, No. 8. Es blendete uns die Mondnacht…
Track length6:26

Spotlight on this release

  • Celebrating György Kurtág

    19th Feb 2026

    On the Hungarian composer's hundredth birthday, artists including Benjamin Appl, Quatuor Arod and Jean-Guihen Queyras share memories of the man and his music.

  • Susan Narucki on György Kurtág

    15th Jul 2025by Ben Hogwood

    In the wake of her acclaimed recording of the mercurial Kafka Fragments with violinist Curtis Macomber (released on Avie at the end of last month), the American soprano discusses her forty-year musical relationship with the Hungarian composer.

Awards and reviews

  • BBC Music Magazine
    August 2025
    Choral Choice
  • Grammy Awards
    68th Awards (2026)
    Nominated - Best Classical Solo Vocal Album

August 2025

[Narucki is] the latest in a line of distinguished singers taking on the challenge of these coiled little outbursts.The average length of these sections is just over a minute, and one of the longest is a six-minute 'homage-message' to Pierre Boulez. Double-stopping by Macomber means that three voices can now be in play, with added beauty as a result.

August 2025

One of its chief assets is her ability to render these 40 settings as an unbroken while cumulative entity, knitting together those disjunctive epigrams of its first part as deftly as she does the ensuing items, not necessarily longer in duration but more developed in syntax.
View download progress