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Corelli: Concerti Grossi Op. 6, 1-6

Akademie für Alte Musik Berlin (early music ensemble), Mayumi Hirasaki (violin), Georg Kallweit

The Akademie für Alte Musik Berlin bring to Corelli's noble style, with its clearly defined tonality, a blend of grandeur and vivacity.

Corelli: Concerti Grossi Op. 6, 1-6

Akademie für Alte Musik Berlin (early music ensemble), Mayumi Hirasaki (violin), Georg Kallweit

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The Akademie für Alte Musik Berlin bring to Corelli's noble style, with its clearly defined tonality, a blend of grandeur and vivacity.

About

Having completed the entire trilogy of Handel's Concerti grossi, the Akademie fur Alte Musik Berlin presents a recording of the first six Concerti grossi, Op. 6 by the composer, ensemble leader and violin virtuoso Arcangelo Corelli, who received the almost cult-like reverence during his lifetime.

The composer had been experimenting with this one of the most distinctive forms of instrumental music of the Baroque era since the late 1670s, but it was only towards the end of his life that he sought to publish these compositions and selected only twelve exemplary pieces from what was probably a much larger collection. He laid the foundations of this instrumental form for future composers such as the before mentioned Georg Frederic Handel, who paid tribute to the Italian Baroque master with his two opuses.

The Akademie fur Alte Musik Berlin and its two concertmasters, Mayumi Hirasaki and Georg Kallweit, who demonstrate their extraordinary virtuosity, only prove why they are regarded as one of the most influential period-instrument ensembles of today. The Akademie fur Alte Musik Berlin has a substantial PENTATONE discography, including the Diapason d'Or awarded CANTATA with Bejun Mehta (2018), Handel's Concerti grossi Op. 3 and 6 (released in 2019 and 2020), Telemann's Miriways (2020), Handel's Messiah (2020), Haydn's L'isola disabitata (2021), La Passione with Christina Landshamer (2022), a recording of Mozart's Paris and Haffner symphonies and the Oboe Concerto with Xenia Loffler (2023), Telemann's Ino (2024), and a recording with Mozart's symphonies Nos. 29 & 33 and the Clarinet Concerto with Ernst Schlader (2024).

Contents and tracklist

I. Largo – Allegro
Track length2:32
II. Largo – Allegro
Track length2:42
III. Largo
Track length3:00
IV. Allegro
Track length1:51
V. Allegro
Track length2:05
I. Vivace – Allegro – Adagio
Track length4:08
II. Allegro
Track length1:47
III. Grave – Andante Largo
Track length2:15
IV. Allegro
Track length2:24
I. Largo
Track length2:22
II. Allegro
Track length1:56
III. Grave
Track length1:58
IV. Vivace
Track length1:58
V. Allegro
Track length2:14
I. Adagio – Allegro
Track length3:07
II. Adagio
Track length2:15
III. Vivace
Track length0:53
IV. Allegro
Track length2:53
I. Adagio – Allegro
Track length3:24
II. Adagio
Track length1:35
III. Allegro
Track length2:05
IV. Largo
Track length1:11
V. Allegro
Track length1:52
I. Adagio
Track length2:13
II. Allegro
Track length1:49
III. Largo
Track length2:53
IV. Vivace
Track length2:06
V. Allegro
Track length2:54

Awards and reviews

September 2025

The Akademie für Alte Musik Berlin bring to Corelli's noble style, with its clearly defined tonality, a blend of grandeur and vivacity.
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