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Dvořák: Legends & Rhapsodies
Czech Philharmonic Orchestra, Tomáš Netopil
Tomáš Netopil and the Czech Philharmonic deliver a relatively straightforward yet immensely appealing account of the Legends, emphasising the chambermusic-like intimacy of Dvořák’s writing and...
Dvořák: Legends & Rhapsodies
Czech Philharmonic Orchestra, Tomáš Netopil
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Tomáš Netopil and the Czech Philharmonic deliver a relatively straightforward yet immensely appealing account of the Legends, emphasising the chambermusic-like intimacy of Dvořák’s writing and...
About
Dvorak's Legends and Slavonic Rhapsodies, recorded by Principal Guest Conductor of the Czech Philharmonic, Tomas Netopil, marks the orchestra's fourth recording featuring Czech composers in 2024's Year of Czech Music. Dvorak wrote his Slavonic Rhapsodies just before the Slavonic Dances that catapulted him to world fame, and they share their colourful orchestration and appealing folk dance melodies - even if the Rhapsodies have more expansive, ambitious forms. The Legends are at least as ingenious, with a smaller orchestra giving the pieces a more intimate, introspective quality. These lesser-known gems are now presented in a glorious idiomatic interpretation by the Czech Philharmonic, arguably the world's best orchestra for this repertoire. The Czech Philharmonic is one of the world's orchestral gems, recognised for its rich tradition with the Czech masters as well as European repertoire. Together with their chief conductor and artistic director Semyon Bychkov, they have so far recorded for PENTATONE Mahler's First, Second, Fourth and Fifth Symphonies (2022-2023), part of the complete Mahler cycle to be released by the label, as well as Smetana's Ma vlast and Dvorak's Seventh, Eighth and Ninth Symphonies (2024). The Orchestra is also featured on the albums Folk Songs (2023) and Czech Songs (2024) recorded by Magdalena Kozena and Sir Simon Rattle. Principal Guest Conductor Tomas Netopil makes his PENTATONE debut.
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Awards and reviews
January 2025
Tomáš Netopil and the Czech Philharmonic deliver a relatively straightforward yet immensely appealing account of the Legends, emphasising the chambermusic-like intimacy of Dvořák’s writing and avoiding unnecessary exaggerations of gesture.
December 2024
This orchestra has rarely sounded as refined, or as characterful, as it does at present, and as with other recent recordings from this orchestra on this label, it’s captured in transparent and atmospheric sound.