Handel: Jephtha
David Portillo (Jephtha), Lauren Snouffer (Iphis), Clara Osowski (Storgè), Aryeh Nussbaum Cohen (Hamor), Neal Davies (Zebul), Katelyn Lee (Angel); Music of the Baroque Chorus and Orchestra, Dame Jane Glover
This is emphatically English Handel; no Italianate excesses here, just lean precision and beautiful mellowness of tone. The contemporary instruments (played with period-informed technique) naturally...
Handel: Jephtha
David Portillo (Jephtha), Lauren Snouffer (Iphis), Clara Osowski (Storgè), Aryeh Nussbaum Cohen (Hamor), Neal Davies (Zebul), Katelyn Lee (Angel); Music of the Baroque Chorus and Orchestra, Dame Jane Glover
Purchase product
This is emphatically English Handel; no Italianate excesses here, just lean precision and beautiful mellowness of tone. The contemporary instruments (played with period-informed technique) naturally...
About
The great baroque composer George Frideric Handel’s final masterpiece! Recorded live in September2022 by multi-GRAMMY®-award winning engineer Christopher Willis, conducted by Dame Jane Glover, and performed by Music of the Baroque- Chorus and Orchestra. Now in its fifth decade, Music of the Baroque is one of the leading professional ensembles in America devoted to 17 th and 18 th -century works. The Chicago Sun-Times writes, “Lyric Opera of Chicago and the Chicago Symphony Orchestra may be the big guys on the local classical music scene, but in terms of sheer quality of performance…Music of the Baroque inhabits the same stratosphere.”
Contents and tracklist
- Dame Jane Glover, Music of the Baroque, Neal Davies, David Portillo, Clara Osowski, Aryeh Nussbaum Cohen, Lauren Snouffer
- Aryeh Nussbaum Cohen, Dame Jane Glover, Music of the Baroque, Lauren Snouffer, Neal Davies, David Portillo, Clara Osowski
- David Portillo, Dame Jane Glover, Music of the Baroque, Lauren Snouffer, Katelyn Lee, Neal Davies, Clara Osowski, Aryeh Nussbaum Cohen
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Awards and reviews
January 2025
This is emphatically English Handel; no Italianate excesses here, just lean precision and beautiful mellowness of tone. The contemporary instruments (played with period-informed technique) naturally soften musical brushstrokes and fill out the texture, and the voices of Music of the Baroque’s chorus match them for blend.
