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Franchetti: Symphony & Nella Foresta Nera - Wolf-Ferrari: Sinfonia da camera

Orchestra Sinfonica di Roma, MiNensemblet, Francesco La Vecchia

The filthy rich, fast car-loving Alberto Franchetti (18601942) turned his back on symphonies after this sole example from 1884 – a shame as, abrupt ending aside, it is an engaging affair, with...

Franchetti: Symphony & Nella Foresta Nera - Wolf-Ferrari: Sinfonia da camera

Orchestra Sinfonica di Roma, MiNensemblet, Francesco La Vecchia

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This release includes a digital booklet

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The filthy rich, fast car-loving Alberto Franchetti (18601942) turned his back on symphonies after this sole example from 1884 – a shame as, abrupt ending aside, it is an engaging affair, with...

About

Alberto Franchetti and Ermanno Wolf-Ferrari shared a similar dual heritage. Franchetti’s father was an Italian Baron, his mother was Viennese and Alberto studied in Germany where he composed the Symphony in E minor in 1884 as part of his graduation examination from Dresden Conservatory. Late Romantic and cast in the German symphonic tradition, it is a colourful, evocative and majestic work. Inspired by the wild beauty of the forests of the Rhine valley, Nella Foresta nera is a tranquil, atmospheric ‘symphonic impression’. Venetian-born to a Bavarian father, Wolf-Ferrari spent many years in Germany where he wrote his Sinfonia da camera . The work has an expansive symphonic breadth and utilises Romanticism’s full harmonic and melodic arsenal.

Contents and tracklist

I. Allegro un poco agitato
Track length10:07
II. Larghetto
Track length8:18
III. Intermezzo e trio
Track length4:30
IV. Allegro vivace
Track length7:12
I. Allegro moderato
Track length9:57
II. Adagio
Track length9:36
III. Vivace con spirito
Track length4:38
IV. Finale. Adagio - Allegro moderato
Track length8:44

Awards and reviews

October 2024

The filthy rich, fast car-loving Alberto Franchetti (18601942) turned his back on symphonies after this sole example from 1884 – a shame as, abrupt ending aside, it is an engaging affair, with some Mendelssohn-like string writing and a Mahler-style brass chorale in the finale.
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