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Mahler: Symphony No. 9 On Period Instruments

Mahler Academy Orchestra, Philipp von Steinaecker

Awards:

The reach of the strings (breadth and depth) in the valedictory final movement is noticeably diminished from what can be so readily achieved with modern instruments but countering that the honesty...

Mahler: Symphony No. 9 On Period Instruments

Mahler Academy Orchestra, Philipp von Steinaecker

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Awards:

The reach of the strings (breadth and depth) in the valedictory final movement is noticeably diminished from what can be so readily achieved with modern instruments but countering that the honesty...

About

This recording of Mahler's Ninth Symphony is an event, because it was made with period instruments of the kind the composer used in Vienna. The Mahler Academy Orchestra set itself the task of reconstructing this instrumentarium and researching how musicians of the time played it: 'We were struck during our rehearsals by the incredibly distinctive characterisation of the woodwinds, the shattering blare of the brass, the perfect balance between the instruments, and the pure and warm sound of the strings. . . They took Mahler's brilliant orchestration to yet another level', says Philipp Von Steinaecker, artistic director of this ambitious 'Originalklang' (original sound) project and conductor of this orchestra, which brings some fifty young musicians into contact with the finest instrumentalists from the world's leading formations (Amsterdam Concertgebouw, Mahler Chamber Orchestra, Budapest Festival Orchestra, Staatskapelle Dresden, Wiener Symphoniker etc.). Together they made this historic recording in Dobbiaco-Toblach in Italy, where Mahler composed his monumental symphony in 1909, two years before his death.

Contents and tracklist

I. Andante comodo: No. 1, Andante comodo
Track length5:46
I. Andante comodo: No. 2, Etwas frischer
Track length2:27
I. Andante comodo: No. 3, Plötzlich sehr mäßig und zurückhaltend
Track length2:55
I. Andante comodo: No. 4, Mit Wut. Allegro risoluto
Track length4:15
I. Andante comodo: No. 5, Schattenhaft
Track length2:03
I. Andante comodo: No. 6, Bewegter
Track length3:08
I. Andante comodo: No. 7, Wie von Anfang
Track length1:57
I. Andante comodo: No. 8, Plötzlich bedeutend langsamer und leise
Track length6:00
II. Ländler: No. 1, Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb
Track length2:38
II. Ländler: No. 2, Pocco piu mosso subito
Track length2:16
II. Ländler: No. 3, Tempo III. Ländler, ganz langsam
Track length1:39
II. Ländler: No. 4, A tempo II
Track length2:49
II. Ländler: No. 5, Tempo I. Wie zu Anfang
Track length1:29
II. Ländler: No. 6, Tempo II
Track length1:28
II. Ländler: No. 7, Tempo I. Subito
Track length3:09
III. Rondo Burleske: No. 1, Allegro assai. Sehr trotzig
Track length1:51
III. Rondo Burleske: No. 2, L’istesso tempo (I)
Track length1:14
III. Rondo Burleske: No. 3, Sempre l’istesso tempo
Track length1:23
III. Rondo Burleske: No. 4, L’istesso tempo (2)
Track length1:39
III. Rondo Burleske: No. 5, Etwas gehalten
Track length2:49
III. Rondo Burleske: No. 6, [Clarinets]
Track length1:56
III. Rondo Burleske: No. 7, Tempo I. Subito
Track length2:38
IV. Adagio: No. 1, Sehr langsam und noch zurückhaltend
Track length4:03
IV. Adagio: No. 2, Plötzlich wieder langsam (wie zu Anfang) und etwas zögernd
Track length2:07
IV. Adagio: No. 3, Molto adagio subito
Track length3:29
IV. Adagio: No. 4, A tempo. Molto adagio
Track length2:13
IV. Adagio: No. 5, Stets sehr gehalten
Track length1:42
IV. Adagio: No. 6, Fliessender, doch durchaus nicht eilend
Track length1:35
IV. Adagio: No. 7, Tempo I. Molto adagio
Track length5:10
IV. Adagio: No. 8, Adagissimo
Track length4:08

Spotlight on this release

Awards and reviews

  • International Classical Music Awards
    2025
    Nominated - Symphonic Music

September 2024

The reach of the strings (breadth and depth) in the valedictory final movement is noticeably diminished from what can be so readily achieved with modern instruments but countering that the honesty of gut strings wins through and there is an intensity of feeling that is truly affecting...Fascinating, then, with the punchy extremes of the inner movements really hitting home.

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