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Special offer. Beethoven: the Final Sonatas

Melvyn Tan

Beethoven: the Final Sonatas
Tempo is used to point up emotion rather than the warmth and tone of the piano; how that lands with you as a listener will be up to personal taste...Yet as a whole, his approach is illuminating,...

Special offer. Beethoven: the Final Sonatas

Melvyn Tan

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CD

Original price $17.25 Reduced price $12.93

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From Original price $10.00 Reduced price $7.00

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Audio formats guide

96 kHz, 24 bit, FLAC/ALAC/WAV

Original price ($18.00) Reduced price $12.50

44.1 kHz, 16 bit, FLAC/ALAC/WAV

Original price ($13.00) Reduced price $9.00

320 kbps, MP3

Original price ($10.00) Reduced price $7.00

This release includes a digital booklet

Stream now Hi-RES 96 kHz, 24 bit
Tempo is used to point up emotion rather than the warmth and tone of the piano; how that lands with you as a listener will be up to personal taste...Yet as a whole, his approach is illuminating,...

About

In his first recital album on Signum Records, internationally acclaimed pianist Melvyn Tan brings a new perspective to Beethoven’s Piano Sonatas 30, 31 and 32.

Exploration, insight and imagination are vital ingredients in Melvyn Tan’s blend of artistic attributes. He established his international reputation with pioneering performances on fortepiano and continues to cast fresh light on music conceived for the piano’s early and modern forms.

Contents and tracklist

I. Vivace ma non troppo
Track length3:26
II. Prestissimo
Track length2:48
III. Gesangvoll, mit innigster Empfindung; Andante molto cantabile ed espressivo
Track length11:52
This track is only available as an album download.
I. Moderato cantabile molto espressivo
Track length5:51
II. Allegro molto
Track length2:21
III. Adagio ma non troppo
Track length2:57
IV. Fuga. Allegro, ma non troppo
Track length6:06
I. Maestoso. Allegro con brio ed appassionato
Track length8:43
II. Arietta. Adagio molto semplice e cantabile
Track length15:30
This track is only available as an album download.

Awards and reviews

September 2024

Tempo is used to point up emotion rather than the warmth and tone of the piano; how that lands with you as a listener will be up to personal taste...Yet as a whole, his approach is illuminating, and worth hearing for its Bachian perspsective.
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