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Debussy / Komitas: Music in Time of War

Kirill Gerstein (piano), Ruzan Mantashyan (soprano), Katia Skanavi (piano), Thomas Adès (piano)

Debussy / Komitas: Music in Time of War
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Awards:

the real thrust of this album lies in its championing of Armenia’s musical patron saint Komitas Vardapet, who single-handedly founded an Armenian musical tradition through collecting his country’s...

Debussy / Komitas: Music in Time of War

Kirill Gerstein (piano), Ruzan Mantashyan (soprano), Katia Skanavi (piano), Thomas Adès (piano)

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2 CDs + Book

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This release includes a digital booklet

Stream now Hi-RES 96 kHz, 24 bit

Awards:

the real thrust of this album lies in its championing of Armenia’s musical patron saint Komitas Vardapet, who single-handedly founded an Armenian musical tradition through collecting his country’s...

About

Inspired by the music of Komitas, a pioneer of ethnomusicology and revered as the founder of the Armenian national school of music, Kirill Gerstein’s most recent initiative epitomizes his approach to music-making. Scheduled for release in the weeks between the anniversary of Debussy’s death and Armenian Genocide Memorial Day, Music in Time of War is a double album which places the music of Komitas alongside that of Claude Debussy, a seminal composer in the late 19th and early 20th centuries, who held a deep admiration of Komitas’s music. Both composers were profoundly affected by the implosion of their worlds – Komitas by the Armenian Genocide, Debussy by the First World War – and their musics reflect a close emotional alignment. For many Komitas is terra incognita, yet for those already familiar with his work, his memory burns more brightly than ever. The project is presented as an illustrated book with a series of in-depth essays commissioned by Kirill.

Contents and tracklist

I. Pour les cinq doigts · d'après Monsieur Czerny
Track length3:02
II. Pour les tierces
Track length3:58
III. Pour les quartes
Track length5:08
IV. Pour les sixtes
Track length4:13
V. Pour les octaves
Track length2:44
VI. Pour les huit doigts
Track length1:35
VII. Pour les degrés chromatiques
Track length2:29
VIII. Pour les agréments
Track length5:14
IX. Pour les notes répétées
Track length3:14
X. Pour les sonorités opposées
Track length5:07
XI. Pour les arpèges composés
Track length4:42
XII. Pour les accords
Track length4:59
Manushaki of Vagharshapat
Track length2:49
Yerangi of Yerevan
Track length3:21
Unabi of Shushi
Track length2:00
Shushiki of Vagharshapat
Track length1:52
Marali of Shushi
Track length1:17
Het u Aradj of Karin
Track length2:37
Shoror of Karin
Track length5:11
I. La Flûte de Pan
Track length2:50
II. La Chevelure
Track length3:12
III. Le Tombeau des naïades
Track length3:03
I. Pour invoquer Pan, dieu du vent d'été
Track length2:06
II. Pour un tombeau sans nom
Track length3:40
III. Pour que la nuit soit propice
Track length2:09
IV. Pour la danseuse aux crotales
Track length2:15
V. Pour l'Égyptienne
Track length3:01
VI. Pour remercier la pluie au matin
Track length2:04
Tsirani tsar
Track length3:32
Chinar es
Track length1:58
Garoun a
Track length2:23
Le le Yaman
Track length2:14
Qeler Tsoler
Track length2:38
Antouni
Track length4:58
I. À mon ami A. Koussevitzky (Avec emportement)
Track length4:33
Au lieutenant Jacques Charlot tué à l'ennemi en 1915, le 3 mars (Lent. Sombre)
Track length6:42
III. À mon ami Igor Stravinsky (Scherzando)
Track length4:36

Spotlight on this release

  • Kirill Gerstein on Music in Time of War

    8th Jul 2024by Katherine Cooper

    The Russian-American pianist discusses his new album of music which Debussy and Komitas composed in the wake of the outbreak of World War One and the Armenian genocide respectively - exploring why music written in dark times so often contains 'an incredible amount of exuberance, kaleidoscopic colour and life-affirmation'.

Awards and reviews

  • International Classical Music Awards
    2025
    Nominated - Assorted Programs
  • Opus Klassik Awards
    2025
    Special Award for Curatorial Achievement

June 2024

the real thrust of this album lies in its championing of Armenia’s musical patron saint Komitas Vardapet, who single-handedly founded an Armenian musical tradition through collecting his country’s folk songs, and making choral and instrumental magic out of them. Komitas wrote very few piano pieces, and Gerstein plays them with love.

3rd April 2024

Gerstein gives the [Komitas] dances a piano virtuoso’s clarity of articulation and Armenian soprano Ruzan Mantashyan is a natural for the songs. It is Debussy, though, who takes the lion’s share of the playing time. Prime among the late works here are the complete Études, imbued with a halo of warmth by Gerstein...The concept of this unusual project is original and performances are high-class.

June 2024

Throughout this ear-opening experience, Gerstein offers his expected interpretative virtues: his gorgeous tone, his artful rubato (listen to the poignant longing in ‘Pour les tierces’), his unfailing virtuosity.
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