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Special offer. Rachmaninoff: All-Night Vigil

Arranged for all-male choir by Gretchaninoff, Lazarev and Sheehan

Alexis V. Lukianov, Evgeny Kachurovski, Igor Morozov, Patram Institute Male Choir, Ekaterina Antonenko

Rachmaninoff: All-Night Vigil

Awards:

There are some jaw-dropping bass sonorities here, but the overall impression is far from sombre: indeed, what is most surprising is the sense of lightness and tenderness that emerges from using...

Special offer. Rachmaninoff: All-Night Vigil

Arranged for all-male choir by Gretchaninoff, Lazarev and Sheehan

Alexis V. Lukianov, Evgeny Kachurovski, Igor Morozov, Patram Institute Male Choir, Ekaterina Antonenko

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96 kHz, 24 bit, FLAC/ALAC/WAV

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This release includes a digital booklet

Stream now Hi-RES 96 kHz, 24 bit

Awards:

There are some jaw-dropping bass sonorities here, but the overall impression is far from sombre: indeed, what is most surprising is the sense of lightness and tenderness that emerges from using...

About

In celebration of the 150th anniversary of the birth of Serge Rachmaninoff, PaTRAM Institute Male Choir invites you to experience the extraordinary beauty of his choral tour de force, the All-night Vigil, composed in 1915. The Vigil is a traditional Russian Orthodox evening worship service. Combining the offices of Vespers and Matins, it is celebrated on evenings in advance of Sundays and major feast days. Rachmaninoff’s setting of fifteen fixed texts appointed for Saturday evening services relies principally on traditional chant melodies. The ‘Rachmaninoff in the Holy Land’ project brought together experienced choristers from around the globe to unite as PaTRAM Institute Male Choir. The album was recorded in the Russian Orthodox Convent Monastery Church of the Ascension, set amidst an olive grove atop the Mount of Olives, in Jerusalem. Inspired by Alexander Gretchaninoff’s arrangement of ‘Glory to God in the Highest’ (hymn 7), the Choir turned to adaptations by Dmitrii Lazarev and Benedict Sheehan for male voice choir of the remaining hymns. Lowering the key of many of the pieces (to fit better with male voices) allowed the eight bass octavists featured on the recording to give an exceptional depth to the Choir’s sound.

Contents and tracklist

I. Arise! Master, give the blessing - Amen. Come, let us worship God, our King (Arr. for Male Choir by Benedict Sheehan)
Track length3:26
II. Bless the Lord, O my soul (Arr. for male choir by Benedict Sheehan)
Track length5:31
III. Blessed is the man (Arr. for Male Choir by Dmitrii Lazarev)
Track length6:08
IV. Gladsome Light (Arr. for Male Choir by Dmitrii Lazarev)
Track length4:07
V. Lord, now lettest Thou Thy servant depart in peace (Arr. for Male Choir by Dmitrii Lazarev)
Track length4:33
VI. Rejoice, O Virgin Theotokos (Arr. for Male Choir by Benedict Sheehan)
Track length3:45
VII. Glory to God in the highest (Arr. for Male Choir by Alexander Gretchaninoff)
Track length3:14
VIII. Praise the name of the Lord (Arr. for Male Choir by Dmitrii Lazarev)
Track length2:58
IX. Blessed art Thou, O Lord (Arr. for Male Choir by Dmitrii Lazarev)
Track length6:55
X. Having beheld the resurrection of Christ (Arr. for Male Choir by Benedict Sheehan)
Track length3:16
XI. My soul magnifies the Lord (Arr. for Male Choir by Benedict Sheehan)
Track length9:52
XII. Glory to God in the highest (Arr. for Male Choir by Benedict Sheehan)
Track length7:35
XIII. Today salvation has come to the world (Arr. for Male Choir by Benedict Sheehan)
Track length2:32
XIV. Thou didst arise from the tomb (Arr. for Male Choir by Benedict Sheehan)
Track length4:24
XV. To Thee, the victorious Leader of triumphant hosts (Arr. for Male Choir by Benedict Sheehan)
Track length1:50

Awards and reviews

  • BBC Music Magazine
    May 2024
    Choral & Song Choice

May 2024

There are some jaw-dropping bass sonorities here, but the overall impression is far from sombre: indeed, what is most surprising is the sense of lightness and tenderness that emerges from using high male voices.

April 2024

The recorded sound favours the higher basses and lower tenors somewhat. However, the fervour of the singing cannot be faulted.
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