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Czerny: Nocturnes, Opp. 368, 537 & 604

Roberte Mamou (piano)

Mamou gives it her best shot but there’s little she can do with it beyond the propriety and grace that informs all her playing. If at the end of the day one yearns for a bit of extra magic,...

Czerny: Nocturnes, Opp. 368, 537 & 604

Roberte Mamou (piano)

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Mamou gives it her best shot but there’s little she can do with it beyond the propriety and grace that informs all her playing. If at the end of the day one yearns for a bit of extra magic,...

About

Czerny is remembered as Beethoven's favoured interpreter of his own piano works and is well known as List's teacher, but it is for his pedagogic works, still in use to this day, that he continues to enjoy renown. The Nocturnes offer a less familiar view of Czerny. These sensitively shaped, small-scale Biedermeier compositions offered domestic households the opportunity to savour their sense of delicacy and enigmatic mood changes. The Op. 604 set is rather more robust than Op. 368, which is exquisitely sensitive, but equally convincing in characterisation and scope.

Contents and tracklist

No. 1 in E Major
Track length4:13
No. 2 in E-Flat Major
Track length2:58
No. 3 in A-Flat Major
Track length3:57
No. 4 in D-Flat Major
Track length3:57
No. 5 in E Major
Track length3:17
No. 6 in A Minor
Track length3:13
No. 7 in B Minor, en forme de rondeau
Track length6:27
No. 8 in B-Flat Major
Track length2:58
No. 1, L'hommage
Track length6:16
No. 2, Le désir
Track length4:42
No. 3, La persuasion
Track length5:53
No. 4, La colère
Track length2:57
No. 5, L'excuse
Track length4:30
No. 6, La consolation
Track length7:04
No. 7, La méditation
Track length6:56
No. 8, La joie
Track length4:28

Awards and reviews

April 2024

Mamou gives it her best shot but there’s little she can do with it beyond the propriety and grace that informs all her playing. If at the end of the day one yearns for a bit of extra magic, Horowitzstyle, well, that’s like asking for the moon, is it not?
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