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Stravinsky: Violin Concerto, Scherzo a la russe, Apollon musagete & Orchestral Suites Nos. 1 & 2
James Ehnes (violin), BBC Philharmonic, Sir Andrew Davis
there’s perfect dialogue throughout this most concertante of works, every cue and change of colour picked up with perfect focus. It helps that the sound brings the woodwind as much up front...
Stravinsky: Violin Concerto, Scherzo a la russe, Apollon musagete & Orchestral Suites Nos. 1 & 2
James Ehnes (violin), BBC Philharmonic, Sir Andrew Davis
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there’s perfect dialogue throughout this most concertante of works, every cue and change of colour picked up with perfect focus. It helps that the sound brings the woodwind as much up front...
About
One of the foremost musicians of his generation, James Ehnes continues to dazzle audiences around the world. Here he joins the BBC Philharmonic and Sir Andrew Davis in a recording of Stravinsky’s Violin Concerto. Written for the Polish virtuoso Samuel Dushkin, the four-movement work takes the music of Bach as its inspiration, and is built around a chord of the notes D, E, and A, which Stravinsky described as his ‘passport to the concerto’ and with which the solo violin part opens each movement. Dushkin gave the première, conducted by Stravinsky, in Berlin in 1932. Apollon musagète, a ballet in two parts for string orchestra, was written in 1927 – 28, and demonstrates the composer’s complete rejection of the Russian folk music and idioms that had been so instrumental in his previous ballets (The Firebird, Petrushka). They are replaced by a concentration on ‘pure form’, which became known as his neo-classical style. The album is completed by his two orchestral suites – light-hearted music arranged from piano duets he had written in the 1910s – and Scherzo à la russe, a showpiece for the Paul Whiteman band that he composed in the early 1940s when newly arrived in California.
Contents and tracklist
Awards and reviews
March 2024
there’s perfect dialogue throughout this most concertante of works, every cue and change of colour picked up with perfect focus. It helps that the sound brings the woodwind as much up front as the violinist; there are wonderful contributions from the BBC Philharmonic, bassoons especially. But when Ehnes needs to take centre stage, in the second Aria he does so magisterially.
February 2024
Ehnes gives a performance of unobtrusive eloquence.