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Brahms, Coll, Korngold: Trio Isimsiz

Trio Isimsiz

Brahms, Coll, Korngold: Trio Isimsiz
This impressive recording comes from an ensemble that is reaching its maturity in a superb way...There’s an excellent finesse to the group’s playing , which holds their individual contributions...

Brahms, Coll, Korngold: Trio Isimsiz

Trio Isimsiz

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This release includes a digital booklet

Stream now Hi-RES 96 kHz, 24 bit
This impressive recording comes from an ensemble that is reaching its maturity in a superb way...There’s an excellent finesse to the group’s playing , which holds their individual contributions...

About

Korngold was one of the most amazing prodigies in musical history, and more gifted than Mozart in that he arrived musically fully formed. He was just 12 years old when he composed his Op.1 Piano Trio.

This is a large-scale work, displaying great originality and simply stunning precociousness. Brahms’s 2nd Piano Trio was written in 1882, and is a big boned work, with glimpses of the similarly monumental 2nd Piano Concerto which dates from the year before.

Francisco Coll’s Piano Trio was commissioned by Borletti-Buitoni Trust, Britten Pears Arts, and Centro Nacional de Difusion Musical (Madrid) and composed for Trio Isimsiz. It is a 17-minute long work rich in contrasting styles and influences, with brilliant but barbed invention.

Contents and tracklist

I. Allegro non troppo, con espressione
Track length10:34
II. Scherzo
Track length7:08
III. Larghetto
Track length5:43
IV. Finale
Track length8:05
I.
Track length1:35
II.
Track length8:36
III.
Track length3:44
IV.
Track length4:56
I. Allegro
Track length9:39
II. Andante con moto (Tema con variazioni)
Track length8:08
III. Scherzo. Presto - Trio. Poco meno presto
Track length4:52
IV. Finale. Allegro giocoso
Track length6:00

Spotlight on this release

Awards and reviews

February 2024

This impressive recording comes from an ensemble that is reaching its maturity in a superb way...There’s an excellent finesse to the group’s playing , which holds their individual contributions and their collective, conversational ensemble work in an ideal balance.
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