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Haydn: Late Symphonies, Vol. 2

Danish Chamber Orchestra, Ádám Fischer

Haydn: Late Symphonies, Vol. 2

Awards:

Fischer must have conducted more Haydn than anyone alive. And after half a century’s immersion in these symphonies his delight in the composer’s unpredictable inventiveness and (in the finales)...

Haydn: Late Symphonies, Vol. 2

Danish Chamber Orchestra, Ádám Fischer

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Awards:

Fischer must have conducted more Haydn than anyone alive. And after half a century’s immersion in these symphonies his delight in the composer’s unpredictable inventiveness and (in the finales)...

About

The second volume in this series (Volume 1 is on 8.574516) is devoted to three more 'London' symphonies. No. 96 in D major 'The Miracle' - so named, as the legend goes, after a falling chandelier narrowly missed the audience during its Hanover Square Rooms premiere - exemplifies the grandeur of these works. The structural surprises of No. 97 in C major and the hymnal slow movement of No. 98 in B flat major reinforce Haydn's inexhaustible compositional versatility and inventiveness. These recordings are the product of a two-decade partnership between Adam Fischer and the Danish Chamber Orchestra during which they have explored the most effective technical solutions necessary for performing these works.

Contents and tracklist

I. Adagio - Allegro
Track length6:36
II. Andante
Track length5:35
III. Menuetto - Trio
Track length5:07
IV. Finale. Vivace assai
Track length3:21
I. Adagio - Vivace
Track length7:34
II. Adagio ma non troppo
Track length6:25
III. Menuetto: Allegretto - Trio
Track length3:45
IV. Finale. Spirituoso
Track length5:09
I. Adagio - Allegro
Track length7:28
II. Adagio cantabile
Track length5:50
III. Menuetto - Trio
Track length4:25
IV. Finale. Presto
Track length7:50

Awards and reviews

  • International Classical Music Awards
    2024
    Nominated - Symphonic Music

December 2023

Fischer must have conducted more Haydn than anyone alive. And after half a century’s immersion in these symphonies his delight in the composer’s unpredictable inventiveness and (in the finales) darting wit is as palpable as ever.
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