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Special offer. Corigliano/Adamo: The Lord of Cries
Anthony Roth Costanzo (Dionysus), David Portillo (Jonathan Harker), Jarrett Ott (John Seward), Kathryn Henry (Lucy Harker), Matt Boehler (Van Helsing), Boston Modern Orchestra Project, Gil Rose
Awards:
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Presto Recordings of the Year, Finalist 2023
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Grammy Awards, 66th Awards (2024), Nominee - Best Opera Recording
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Presto Recordings of the Year, Winner 2023, World Premiere Recording (New Work)
It takes a bold composer to set such a story and John Corigliano is more than up to the task…Corigliano gives a nod to operatic tradition with lush moments in 'Hush, darling: hush', expertly...
Special offer. Corigliano/Adamo: The Lord of Cries
Anthony Roth Costanzo (Dionysus), David Portillo (Jonathan Harker), Jarrett Ott (John Seward), Kathryn Henry (Lucy Harker), Matt Boehler (Van Helsing), Boston Modern Orchestra Project, Gil Rose
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Awards:
-
Presto Recordings of the Year, Finalist 2023
-
Grammy Awards, 66th Awards (2024), Nominee - Best Opera Recording
-
Presto Recordings of the Year, Winner 2023, World Premiere Recording (New Work)
It takes a bold composer to set such a story and John Corigliano is more than up to the task…Corigliano gives a nod to operatic tradition with lush moments in 'Hush, darling: hush', expertly...
About
Boston Modern Orchestra Project and Gil Rose present the world premiere recording of The Lord of Cries, a breathtaking opera by John Corigliano and Mark Adamo. Telling the story of Euripides's The Bacchae with the characters of Bram Stoker's Dracula, the piece explores the power of sexual desire and humans' need to blame and attack others for what they can neither resist nor accept in themselves. Corigliano returns to opera for the first time since his The Ghosts of Versailles, introduced by the Metropolitan Opera, made an international sensation in 1992. The brilliant cast-- most of whom introduced their parts in the world premiere in 2021--is led by star countertenor Anthony Roth Costanzo in the title role.
Multi-award winning composer John Corigliano's music has been commissioned, performed, and recorded by many of the most prominent orchestras, soloists, and chamber musicians in the world. The Pentatone recording of The Ghost of Versailles, released in 2016, won two Grammy Awards. Composer-librettist Mark Adamo's four previous operas, including Little Women (1998) have been staged, recorded, and broadcast hundreds of times on five continents. Under the leadership of conductor Gil Rose, the Boston Modern Orchestra Project has become an unsurpassed advocate for 20th and 21st century American music; they make their Pentatone debut with The Lord of Cries.
Contents and tracklist
- Anthony Roth Costanzo, Will Ferguson, Boston Modern Orchestra Project, Gil Rose
- David Portillo, Jarrett Ott, Matt Boehler, Kathryn Henry, Boston Modern Orchestra Project, Gil Rose
- Kathryn Henry, Will Ferguson, Matthew DiBattista, David Portillo, Boston Modern Orchestra Project, Gil Rose
- Jarrett Ott, Matt Boehler, Anthony Roth Costanzo, Kathryn Henry, Boston Modern Orchestra Project, Gil Rose
- Will Ferguson, Anthony Roth Costanzo, Jarrett Ott, Boston Modern Orchestra Project, Gil Rose
- Anthony Roth Costanzo, Matt Boehler, Jarrett Ott, Kathryn Henry, David Portillo, Will Ferguson, Boston Modern Orchestra Project, Gil Rose
Spotlight on this release
Awards and reviews
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Presto Recordings of the YearFinalist 2023
November 2023
It takes a bold composer to set such a story and John Corigliano is more than up to the task…Corigliano gives a nod to operatic tradition with lush moments in 'Hush, darling: hush', expertly sung by soprano Kathryn Henry, with an enjoyable musical howling motif representing Jonathan (David Portillo).
October 2023
Corigliano is now 85, and one feels lucky that he has returned to opera at the height of his powers...The central Dionysus role taps the full vocal and theatrical capabilities of countertenor Anthony Roth Costanzo, who resists all temptations to chew the scenery…
26th September 2023
In response to the libretto’s blend of paganism and Gothic horror, Corigliano has composed a score that radiates eerie, nocturnal energy...More lyrical passages are redolent of musical theater, especially Stephen Sondheim... In the title role, Anthony Roth Costanzo is positively cobra-like.