Anna Thorvaldsdottir: Archora & Aion
Iceland Symphony Orchestra, Eva Ollikainen
Awards:
-
Presto Recordings of the Year, Finalist 2023
In effect, both works demonstrate the inseparability of time and space – and their key lies finally in Thorvaldsdottir’s extraordinarily subtle, constantly shifting details of foreground and...
Anna Thorvaldsdottir: Archora & Aion
Iceland Symphony Orchestra, Eva Ollikainen
Purchase product
Awards:
-
Presto Recordings of the Year, Finalist 2023
In effect, both works demonstrate the inseparability of time and space – and their key lies finally in Thorvaldsdottir’s extraordinarily subtle, constantly shifting details of foreground and...
About
As with my music generally, the inspiration behind ARCHORA and AIŌN is not something I am trying to describe through the music or what the music is 'about', as such. Inspiration is a way to intuitively tap into parts of the core energy, structure, atmosphere and material of the music I am writing each time. It is a fuel for the musical ideas to come into existence, a tool to approach and work with the fundamental materials, the ideas and sensations, that provide and generate the initial spark to the music - the various sources of inspiration are ultimately effective because I perceive qualities in them that I find musically captivating. I do often spend quite a bit of time finding ways to articulate some of the important elements of the musical ideas or thoughts that play certain key roles in the origin of each piece but the music itself does not emerge from a verbal place, it emerges as a stream of consciousness that flows, is felt, sensed, shaped and then crafted. So inspiration is a part of the origin story of a piece, but in the end the music stands on its own. - Anna Thorvaldsdottir
Contents and tracklist
- Anna Thorvaldsdottir
- Iceland Symphony Orchestra
- Eva Ollikainen
- Anna Thorvaldsdottir
- Iceland Symphony Orchestra
- Eva Ollikainen
Awards and reviews
-
Presto Recordings of the YearFinalist 2023
August 2023
In effect, both works demonstrate the inseparability of time and space – and their key lies finally in Thorvaldsdottir’s extraordinarily subtle, constantly shifting details of foreground and background.
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