This release gathers two electroacoustic works by Gerard Pape. Dedicated to the late composer Ana-Maria Avram, Vers la lumière II (2017) is an electroacoustic meditation on the afterlife as a kind of continually evolving sonic universe within which the spirit floats freely, carried along in the arms of the sound itself. Pape weaves a slowly evolving lullaby made of complex and ethereal timbral utterances. Each cry seems to stretch out into eternity, the extremely long release of each sound seems to reach toward a future that never arrives. The sound material is derived entirely from samples of a Waterphone, a remarkable instrument invented in the 1960s by american artist Richard Waters. The instrument functions on the principle of a steel resonator containing a small amount of water which is surrounded by a series of various sized bronze rods which can be struck or bowed, creating an arrangement of overtones. Commissioned to mark the occasion of the total solar eclipse on 29 March 2006, Heliophonie follows a strict temporal structure that is inspired by studies in astrophysies describing the various stages of the evolution of the sun. Both works are first recordings.
