Liszt: Orchestral Songs
Sunhae Im (soprano), Thomas Hampson (baritone), Orchester Wiener Akademie, Martin Haselböck
Thomas Hampson shoulders the lion’s share of the songs, and if vocally the result is a little uneven, there’s no gainsaying his clarion command, exemplary diction and perceptive narration. — More…
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Gramophone MagazineSeptember 2023Editor's Choice
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International Classical Music Awards2024Nominated - Vocal Music
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Liszt: Die Lorelei
- Stephanie Houtzeel, Martin Haselböck
- Wiener Akademie
Liszt: Die drei Zigeuner, S. 374
- Thomas Hampson (baritone), Martin Haselböck
- Wiener Akademie
Liszt: Die junge Nonne (No. 6 from Zwölf Lieder von Franz Schubert, S558)
- Sunhae Im (soprano), Martin Haselböck
- Wiener Akademie
Liszt: Gretchen am Spinnrade (No. 8 from Zwölf Lieder von Franz Schubert, S558)
- Sunhae Im (soprano), Martin Haselböck
- Wiener Akademie
Liszt: Mignons Lied (3rd Version, 1860), S275 / 3
- Sunhae Im (soprano), Martin Haselböck
- Wiener Akademie
Liszt: Erlkönig, S375 (after Schubert D328)
- Thomas Hampson (baritone), Martin Haselböck
- Wiener Akademie
Liszt: Der Doppelganger (No. 12 from Schwanengesang, S560, after Schubert)
- Thomas Hampson (baritone), Wiener Akademie, Martin Haselböck
Liszt: Die Vätergruft, S.281
- Thomas Hampson (baritone), Martin Haselböck
- Wiener Akademie
Liszt: Weimars Toten, S303
- Thomas Hampson (baritone), Martin Haselböck
- Wiener Akademie
Liszt: Le Juif Errant
- Thomas Hampson (baritone), Martin Haselböck
- Wiener Akademie
Liszt: Titan, S. 79
- Tomasz Konieczny, Martin Haselböck, Chorus Viennensis
- Wiener Akademie