Lalo, Casals: Cello Concertos
Jan Vogler (cello), Moritzburg Festival Orchester, Josep Caballé-Domenech
Enrique Casals’s cello concerto is a delightful find...Jan Vogler is an eloquent champion providing a performance that is both passionate and reflective...Well recorded in a superb acoustic,...
Lalo, Casals: Cello Concertos
Jan Vogler (cello), Moritzburg Festival Orchester, Josep Caballé-Domenech
Purchase product
Enrique Casals’s cello concerto is a delightful find...Jan Vogler is an eloquent champion providing a performance that is both passionate and reflective...Well recorded in a superb acoustic,...
About
Édouard Lalo's (1823 – 1892) masterpiece, the Concerto for Cello and Orchestra in D minor combines influences of Spanish folklore with his distinctive style reminiscent of German composers. 2023 is his 200th birthday. Though he was French he had Spanish ancestry and his famous work was frequently played by renowned cellist Pablo Casals to whom this album is dedicated. His brother Enrique Casals (1892 – 1986) was an outstanding violinist, conductor and composer in his own right. He composed the Cello Concerto in F Major in 1946 under the strong impression of the sea and the nature of Catalonia. The last movement is a sardana, a Catalan folk dance whose form Pablo Casals also used in many of his works, very he is clearly inspired by German late Romanticism.
Contents and tracklist
- Jan Vogler (cello)
- Moritzburg Festival Orchester
- Josep Caballé-Domenech
- Jan Vogler (cello)
- Moritzburg Festival Orchester
- Josep Caballé-Domenech
Awards and reviews
April 2023
Enrique Casals’s cello concerto is a delightful find...Jan Vogler is an eloquent champion providing a performance that is both passionate and reflective...Well recorded in a superb acoustic, these fine performances of two richly Romantic works are well worth investigating.
September 2023
Everywhere and from everyone there’s emotional commitment and a strong soloist-orchestra dynamic.
May 2023
Enrique Casals, younger brother of Pablo, wrote his Cello Concerto (sub-titled ‘in romantic serious style’) in 1946, by which time it was stylistically out of date by several decades. Vogler captures its broad melodic sweep and easy charm, and negotiates its more technically demanding passages with aplomb.
