Chopin's Letters: Improvisations

Release Date: 17th Feb 2023
Catalogue No: NIFCCD074
Label: Frederick Chopin Institute
Length: 78 minutes

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Tomasz Stańko, Marcin Wasilewski, Arild Andersen, Olavi Louhivuori: List do Jana Białobłockiego w Sokołowie (Warszawa, 29 września 1825)

Work length1:04

$1.00

$1.25

Tomasz Stanko, Marcin Wasilewski, Arild Andersen, Olavi Louhivuori, Andrzej Chyra

Tomasz Stańko, Marcin Wasilewski, Arild Andersen, Olavi Louhivuori: "Teeny (Suspended Varioations VI)"

Work length7:42

$1.50

$1.90

Tomasz Stanko, Marcin Wasilewski, Arild Andersen, Olavi Louhivuori

Tomasz Stańko, Marcin Wasilewski, Arild Andersen, Olavi Louhivuori: Listy: do Tytusa Woyciechowskiego w Poturzynie (10 kwietnia 1830) i do Jana Białobłockiego (Warszawa, koniec listopada 1825)

Work length2:30

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$1.25

Tomasz Stanko, Marcin Wasilewski, Arild Andersen, Olavi Louhivuori, Andrzej Chyra

Tomasz Stańko, Marcin Wasilewski, Arild Andersen, Olavi Louhivuori: "Daada"

Work length4:58

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Tomasz Stanko, Marcin Wasilewski, Arild Andersen, Olavi Louhivuori, Andrzej Chyra

Tomasz Stańko, Marcin Wasilewski, Arild Andersen, Olavi Louhivuori: List do George Sand w Nohant (Paryż, 2 grudnia 1844)

Work length1:59

$1.00

$1.25

Tomasz Stanko, Marcin Wasilewski, Arild Andersen, Olavi Louhivuori, Andrzej Chyra

Tomasz Stańko, Marcin Wasilewski, Arild Andersen, Olavi Louhivuori: "Maldoror's War Song"

Work length8:36

$1.50

$1.90

Tomasz Stanko, Marcin Wasilewski, Arild Andersen, Olavi Louhivuori, Andrzej Chyra

Tomasz Stańko, Marcin Wasilewski, Arild Andersen, Olavi Louhivuori: "The Dark Eyes of Martha Hirsh" przeplatany fragmentami listu do Rodziny w Warszawie (Wiedeń, 1 sierpnia 1829)

Work length16:01

Album only

Tomasz Stanko, Marcin Wasilewski, Arild Andersen, Olavi Louhivuori, Andrzej Chyra

Tomasz Stańko, Marcin Wasilewski, Arild Andersen, Olavi Louhivuori: "Melancholia" oraz list do Juliana Fontany w Paryżu (Palma, 15 listopada 1838)

Work length6:59

$1.00

$1.25

Tomasz Stanko, Marcin Wasilewski, Arild Andersen, Olavi Louhivuori, Andrzej Chyra

Tomasz Stańko, Marcin Wasilewski, Arild Andersen, Olavi Louhivuori: List do Rodziny w Warszawie (Nohant, 18-20 lipca 1845) cz. I

Work length2:32

$1.00

$1.25

Tomasz Stanko, Marcin Wasilewski, Arild Andersen, Olavi Louhivuori, Andrzej Chyra

Tomasz Stańko, Marcin Wasilewski, Arild Andersen, Olavi Louhivuori: "Euforila"

Work length5:30

$1.00

$1.25

Tomasz Stanko, Marcin Wasilewski, Arild Andersen, Olavi Louhivuori

Tomasz Stańko, Marcin Wasilewski, Arild Andersen, Olavi Louhivuori: List do Rodziny w Warszawie (Paryż, 11 lutego 1848)

Work length2:29

$1.00

$1.25

Tomasz Stanko, Marcin Wasilewski, Arild Andersen, Olavi Louhivuori, Andrzej Chyra

Tomasz Stańko, Marcin Wasilewski, Arild Andersen, Olavi Louhivuori: "Ballada"

Work length5:30

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Tomasz Stanko, Marcin Wasilewski, Arild Andersen, Olavi Louhivuori

Tomasz Stańko, Marcin Wasilewski, Arild Andersen, Olavi Louhivuori: List do Rodziny w Warszawie (Nohant, 18-20 lipca 1845) cz. II

Work length1:16

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Tomasz Stanko, Marcin Wasilewski, Arild Andersen, Olavi Louhivuori, Andrzej Chyra

Tomasz Stańko, Marcin Wasilewski, Arild Andersen, Olavi Louhivuori: "New Y"

Work length5:58

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Tomasz Stanko, Marcin Wasilewski, Arild Andersen, Olavi Louhivuori

Tomasz Stańko, Marcin Wasilewski, Arild Andersen, Olavi Louhivuori: "Terminal 7" oraz listy do George Sand w Nohant (Paryż, 17 stycznia 1847) i Juliana Fontany w Paryżu (Palma, 28 grudnia 1838)

Work length5:54

$1.00

$1.25

Tomasz Stanko, Marcin Wasilewski, Arild Andersen, Olavi Louhivuori, Andrzej Chyra

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Together with invited musicians and outstanding Polish actor, Andrzej Chyra, legendary jazz trumpeter, Tomasz Stanko, created a unique evening of improvisations on the letters of Fryderyk Chopin. This new release from The Chopin Institute presents the recording of this performance which took place as part of the Chopin and His Europe International Music Festival (2014).

The history of improvising on Chopin themes began before the war, when swing pianists and bands turned to popular works of classical music that were suited to becoming standards. This continued throughout the second half of the 20th century through performers such as Andrzej Jagodzifski, Leszek Moder, Krzysztof Herdzin and Leszek Kulakowski, who all recorded for Polonia Records.

There was already a clear difference in approaches to the composer's works. Jagodzifski took care not to venture too far from the composer's notation. Leszek Moder, meanwhile, played jazzed-up Chopin solo, unlike Krzysztof Herdzin, who adopted a hardbop line at the head of his quintet and treated Chopin's themes like the standards of Horace Silver.

Despite Chopin's exceptional popularity among jazz musicians, there is no doubt that jazz and the music of Chopin remain worlds apart, both historically and stylistically. Supporters of Chopin arrangements invoke his own exceptional talent for improvisation, repeatedly emphasised in accounts from his day. They even claim that 'if he had lived, he would certainly have played jazz'.

For Stanko, Chopin's original letters (through the voice of Andrzej Chyra), on such varied situations, in such a range of places, featuring such different people, represented a difficult, but hugely appealing challenge. Find here, Stanko's musical reflections on Chopin's letters. The impression created is powerful, but indistinct, although led in a particular direction and, despite the surrealistic combination, with a tangible common denominator. Each listener of this disc will have different feelings about it, across the palette of the ambiguity that arises where Chopin's words meet contemporary jazz. Among all the jazz musicians in Poland, Tomasz Stanko is the artist to have achieved the greatest success on a global scale. His career, lasting several decades, was marked by endless searches, collaborations with hundreds of outstanding musicians from around the world, and a continuous process of testing himself in the most wide-ranging situations. Thomas Stanko has taken part in several Chopin projects, both on recording (incl. with Leszek Moder in 1993) and in concert-at the Chopin and his Europe festival in 2007 (performing with the Japanese pianist Makoto Ozone) and in 2010 (in the programme 'Tomasz Stanko in Tribute to Chopin', with Dominik Wania on piano, Slawomir Kurkiewicz on double bass and Olavi Louhivuori on drums).

The Polskie Nagrania label's Polish Jazz series was integral to the history of Polish and European jazz. It captured the work of legendary artists and documented the unique characteristics that constituted its genotype, which might be termed Polish romanticism. And it is to that strand, still distinctly present on the Polish music scene, that the Fryderyk Chopin Institute's new phonographic series - Polish Romantic Jazz - is devoted.

Chopin's Letters: Improvisations

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