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Special offer. Egon Wellesz: Chamber Music

Gabriela Opacka-Boccadoro (violin), Peter Cigleris (clarinet), Veles Ensemble

You can hear both Austrian expressionism and English pastoralism in these late works, played with extraordinary sensitivity by the Veles Ensemble and friends

Special offer. Egon Wellesz: Chamber Music

Gabriela Opacka-Boccadoro (violin), Peter Cigleris (clarinet), Veles Ensemble

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This release includes a digital booklet

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You can hear both Austrian expressionism and English pastoralism in these late works, played with extraordinary sensitivity by the Veles Ensemble and friends

About

In its mix of tonality, Expressionism and Schoenbergian serialism, the late chamber music of Egon Wellesz (1885–1974) – born in Vienna but an Oxford don for almost four decades – marries the mid-century radicalism of his native city with the lyricism of his adoptive homeland. In the first part of his career Wellesz was best known as a composer of operas, and these chamber works were audibly written by someone with a keen sense of drama: in their primal passion, flawless pacing, arching melodic lines and occasional bursts of humour, one can almost imagine them on stage.

Contents and tracklist

No. 1, Moderato
Track length2:41
No. 2, Scherzando
Track length1:42
No. 3, Largo
Track length4:31
No. 4, Molto tranquillo
Track length8:05
I. Molto sostenuto
Track length5:55
II. Vivace
Track length2:45
III. Adagio
Track length5:18
IV. Allegro moderato
Track length1:33
No. 1, Adagio
Track length3:39
No. 2, Agitato
Track length2:18
No. 3, Lento
Track length3:15
No. 4, Allegretto
Track length2:53
I. Allegro commodo
Track length4:28
II. Adagio
Track length4:18
III. Allegro vivace
Track length3:52
No. 1, Energico
Track length2:40
No. 2, Scherzando
Track length1:37
No. 3, Largo
Track length4:33
No. 4, Molto tranquillo
Track length7:58

Awards and reviews

April 2023

You can hear both Austrian expressionism and English pastoralism in these late works, played with extraordinary sensitivity by the Veles Ensemble and friends

March 2023

If you want to get to know Egon Wellesz, this would be a good place to start...These are very fine and technically brilliant performances by musicians who must have been encountering this music for the first time and, as far as it is possible to ascertain, seem to relish the sound world of this fascinating composer.

16th February 2023

It’s a sequence of wonderfully spare, atonal miniatures, in which not a note is wasted, and in which the links to Schoenberg’s world are always clear.
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