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Raízes - Portuguese Chamber Music

Matosinhos String Quartet

They are all played with conviction and engagement. Just what you might expect from an ensemble who commissioned these works… all four are relaxed and often light of heart.

Raízes - Portuguese Chamber Music

Matosinhos String Quartet

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They are all played with conviction and engagement. Just what you might expect from an ensemble who commissioned these works… all four are relaxed and often light of heart.

About

Raízes (Portuguese for ‘roots’) features new works commissioned by the Matosinhos String Quartet, in which composers were invited to write works inspired by melodies, dances and stories from Portuguese traditional folklore. Returning to their heritage in North Portugal, Eurico Carrapatoso and Fernando C. Lapa both draw inspiration from Mirandese landscapes, dances and melodies. Telmo Marques’s Ilhas Afortunadas alludes to the mythologies surrounding the islands of the Azores and Madeira, and Sérgio Azevedo pays homage to Fernando Lopes-Graça and Béla Bartók’s pioneering work recording folk music in the field with his Popularuskia I.

Contents and tracklist

No. 1, Searas
Track length4:12
No. 2, Rabatida
Track length1:04
No. 3, Ninho
Track length2:42
No. 4, Encomendação
Track length2:19
No. 5, Malhadas
Track length3:21
I. Mare nostrum
Track length4:00
II. Baile da meia volta
Track length2:37
III. Conde da Alemanha
Track length1:45
IV. Charamba
Track length2:03
No. 1, Quodlibet. Quase um madrigal (In Memory of Joly Braga Santos)
Track length3:02
No. 2, Rimanço (In Memory of Joly Braga Santos)
Track length2:00
No. 3, Não se me dá que vindimem I (In Memory of Fernando Lopes-Graça)
Track length2:23
No. 4, Não se me dá que vindimem II (In Memory of Béla Bartók)
Track length1:32
No. 5, Ó ó menino ó (for my dear friend Eurico Carrapatoso)
Track length4:01
I. Por beilar el pingacho
Track length2:23
II. Mirandum se fui a la guerra
Track length2:29
III. Cum ró-ró
Track length4:03
IV. Senhor Galandum
Track length2:52

Awards and reviews

March 2023

They are all played with conviction and engagement. Just what you might expect from an ensemble who commissioned these works… all four are relaxed and often light of heart.
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