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Special offer. Schumann & Brahms
Benjamin Grosvenor (piano)
Awards:
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Presto Recording of the Week, 17th March 2023
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Gramophone Magazine, April 2023
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Gramophone Awards, 2023 Finalists, Shortlisted - Piano
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Presto Recordings of the Year, Finalist 2023
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Gramophone Magazine, Critics' Choice 2023
There’s a marble-statue nobility to his playing, a sense of his powerful technique being harnessed to expression, and a seriousness-of-purpose…To end, we hear three of Brahms’s Intermezzos:...
Special offer. Schumann & Brahms
Benjamin Grosvenor (piano)
Purchase product
Awards:
-
Presto Recording of the Week, 17th March 2023
-
Gramophone Magazine, April 2023
-
Gramophone Awards, 2023 Finalists, Shortlisted - Piano
-
Presto Recordings of the Year, Finalist 2023
-
Gramophone Magazine, Critics' Choice 2023
There’s a marble-statue nobility to his playing, a sense of his powerful technique being harnessed to expression, and a seriousness-of-purpose…To end, we hear three of Brahms’s Intermezzos:...
About
The acclaimed British pianist, Benjamin Grosvenor, still only 30 and yet a well-established favourite of critics and audiences around the globe, takes Robert Schumann’s haunting Kreisleriana as his starting point in his new album, Schumann & Brahms. This eight-movement work portrays the mercurial personality of the fictional Johannes Kreisler, created by E. T. A. Hoffmann: Kreisler’s highs and lows, and his dreamy nature, clearly mirror Schumann’s own tragic manic-depressive tendencies. Grosvenor responds to the composer’s autobiographical honesty with playing of sublime tenderness, dazzling variety, and imaginative empathy.
He accompanies the work with the melancholic Variations on a Theme by Robert Schumann by Schumann’s beloved wife Clara (who, incidentally, stated that she was much disturbed by the visions conjured up in Kreisleriana). Further kaleidoscopic variety is provided by Robert’s Blumenstück, and Quasi Variazione: Andantino de Clara Wieck. The recital also includes Brahms’ Three Intermezzi, autumnal works which shed a fascinating light on the complicated relationship which existed between Robert, Clara and Brahms himself. Grosvenor’s own arrangement of Robert’s Abendlied completes the programme.
The recording is Benjamin Grosvenor’s seventh for Decca since 2011, when he became the youngest musician - and also the first British pianist in more than sixty years - to sign to the label. Since then he has won inter alia several Gramophone Awards, and the prestigious Diapason d’Or de l’année. After a spectacular win, at the age of just 11, in the keyboard section of the BBC Young Musician competition, he went on to become the youngest soloist ever to appear at the opening night of the BBC Proms in 2011.
Contents and tracklist
- Benjamin Grosvenor (piano)
- Recorded: 2022-04-24
- Recording Venue: Potton Hall, Suffolk
- Benjamin Grosvenor (piano)
- Recorded: 2022-04-24
- Recording Venue: Potton Hall, Suffolk
- Benjamin Grosvenor (piano)
- Recorded: 2022-04-24
- Recording Venue: Potton Hall, Suffolk
- Benjamin Grosvenor (piano)
- Recorded: 2022-04-24
- Recording Venue: Potton Hall, Suffolk
- arr. Grosvenor
- Benjamin Grosvenor (piano)
- Recorded: 2022-04-24
- Recording Venue: Potton Hall, Suffolk
- Benjamin Grosvenor (piano)
- Recorded: 2022-04-24
- Recording Venue: Potton Hall, Suffolk
- Benjamin Grosvenor (piano)
- Recorded: 2022-04-24
- Recording Venue: Potton Hall, Suffolk
Spotlight on this release
Awards and reviews
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Presto Recording of the Week17th March 2023
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Gramophone MagazineApril 2023
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Presto Recordings of the YearFinalist 2023
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Gramophone MagazineCritics' Choice 2023
May 2023
There’s a marble-statue nobility to his playing, a sense of his powerful technique being harnessed to expression, and a seriousness-of-purpose…To end, we hear three of Brahms’s Intermezzos: elegiac, bittersweet lullabies of sorrow. These rich performances suggest Brahms is where Grosvenor should head next.
April 2023
All in all, this is an album that reaffirms Grosvenor’s status as one of the most accomplished pianists around.
17th March 2023
Listening to Grosvenor’s shape-shifting interpretation of Kreisleriana, it’s easy to see why Clara found elements of the work disconcerting, though from the opening bars it’s impossible to resist falling under its uncanny spell...Grosvenor’s immaculately-judged rubato (a constant throughout the programme) is an especial pleasure in Clara's set of variations, the theme subtly transformed with every appearance – it’s as if the music is being illuminated from a slightly different perspective at each turn.
26th March 2023
when Grosvenor touches the keyboard he makes a sound that seems so soft, so lovely, so wise in the balance of all the parts, you think you’re hearing some great maestro of old...overall this is stunningly good playing, which will confirm Grosvenor’s place in the top rank of young pianists.