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Beethoven: Piano Sonatas Opp. 101 & 106

Maurizio Pollini (piano)

There’s no doubt his muscular authority in late Beethoven is as commanding as ever, even if technically the performances may not be quite as pristine and brilliant as they would have been half...

Beethoven: Piano Sonatas Opp. 101 & 106

Maurizio Pollini (piano)

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There’s no doubt his muscular authority in late Beethoven is as commanding as ever, even if technically the performances may not be quite as pristine and brilliant as they would have been half...

About

In 2022, one of the greatest pianists of our time, Maurizio Pollini, celebrated his 80th birthday. After Pollini already recorded Beethoven's sonatas Nos. 28 and 29 back in 1977, he does so again in 2022 in order to elicit the last secrets from these late sonatas in a new interpretation. Herewith he completes the late sonatas, after the release of the successful 2020 album 'Beethoven - The Last Sonatas'. Like all of Beethoven's late sonatas, these defied the formal conventions common to the genre and were thus ahead of their time. Beethoven no longer cared about constraints in society and music, instead giving free rein to his subjective feelings. Possibly it was precisely this flow of true emotions characterized his late sonatas - especially his Piano Sonata in A major op. 101 is characterized by ruptures and radical changes, and celebrates life at the end, full of wit and joie de vivre, human and transcendent.

Contents and tracklist

I. Etwas lebhaft und mit der innigsten Empfindung. Allegretto ma non troppo
Track length3:21
II. Lebhaft, marschmäßig. Vivace alla marcia
Track length5:48
III. Langsam und sehnsuchtsvoll. Adagio ma non troppo, con affetto
Track length2:20
IV. Geschwind, doch nicht zu sehr und mit Entschlossenheit. Allegro
Track length6:59
I. Allegro
Track length9:31
II. Scherzo. Assai vivace
Track length2:23
III. Adagio sostenuto
Track length15:13
IV. Largo - Allegro risoluto
Track length11:05

Awards and reviews

8th December 2022

There’s no doubt his muscular authority in late Beethoven is as commanding as ever, even if technically the performances may not be quite as pristine and brilliant as they would have been half a century ago...one is always aware of the wealth of experience and understanding that is informing every bar of his playing.
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