The Fifties and NOW

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Release Date: 9th Dec 2022
Catalogue No: PSC1386
Label: Simax
Length: 59 minutes

Usually despatched in 3 - 4 working days

Brouwer, L: Guitar Quintet

Work length17:02

$3.00

$4.20

$5.25

Stein-Erik Olsen, Ricardo Odriozola, Mara Haugen, Ilza Klava, Ragnhild Sannes

I. Allegro

Track length5:02

$1.00

$1.40

$1.75

II. Adagio

Track length5:48

$1.00

$1.40

$1.75

III. Allegro Vivace

Track length6:12

$1.00

$1.40

$1.75

Hvoslef: Troika for two guitars and percussion

Work length18:31

Album only

Stein-Erik Olsen, Trond Gjelsten Dale, Egil Haugland

Castelnuovo-Tedesco: Quintet for guitar and string quartet, Op. 143

Work length24:04

$4.50

$6.30

$7.85

Stein-Erik Olsen, Ricardo Odriozola, Mara Haugen, Ilza Klava, Ragnhild Sannes

I. Allegro: vivo e schietto

Track length6:07

$1.00

$1.40

$1.75

II. Andante mesto

Track length7:21

$1.50

$2.10

$2.60

III. Scherzo: Allegro con spirito - alla Marcia

Track length4:39

$1.00

$1.40

$1.75

IV. Finale: Allegro con fuoco

Track length5:57

$1.00

$1.40

$1.75

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Stein-Erik Olsen is back! His newest recording "The fifties and Now" displays an impressive side of one of Europe's most important working guitarists. This record blends classical compositions from the 1950 s from Leo Brouwer and Mario Castelnuovo-Tedesco, with a far more modern composition from Norway's own Ketil Hvoslef written in 2019.

The records blend of three different compositions exemplifies the great contrast composers can use to create different approaches in writing music for the guitar. The work done by Brouwer and Castelnuovo-Tedesco proves ground breaking within the early music written for the guitar, where both composers focused on including the instrument in the compositions included on "The fifties and Now". Especially "Quintet Op 143" (1950) by Castelnuovo-Tedesco may have caused the guitar to enter the halls of conservatories and universities, and therefore influence the audience and focus related to the guitar as a chamber music instrument. "Quintet" (1958) by Leo Brouwer was written by the cuban composer while he was only 17 years of age. In comparison to Castelnuovo-Tedesco, a more mature piece, written in the middle of the composer's 50s. Brouwer used afro-cuban syncopated rhythms to make sure the guitar was more of a solo instrument in the composition. Brouwer also facilitated the piece for several different playing techniques, which make the composition able to move the heart of any musician.

The last composer featured on the record is not a guitarist himself, but is rather influenced by the instrument in relation to more unusual and unique compositions. "Troika for two guitars and percussion"(2019) gathers forms and influences from the Russian troika. Where the percussion takes the role as the locomotive, while the two galloping horses are substituted by two guitars. This guitar composition illustrates just how far the guitar has evolved as an instrument feature in chamber music since the 1950s. With the Castelnuovo-Tedesco piece the guitar was barely a part of the string quartet, however it was also an early establishing of the guitar as a worthy and natural member of the chamber music instruments.

The Fifties and NOW

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