Brahms & Berg: Violin Concertos

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In his booklet notes, the violinist Christian Tetzlaff points out that he has out that he has played these two central pillars of the concerto repertoire literally hundreds of times, and his... — BBC Music Magazine, December 2022, 4 out of 5 stars (Performance) / 5 out of 5 stars (Recording) More…

Release Date: 2nd Sep 2022
Catalogue No: ODE1410-2
Label: Ondine
Length: 62 minutes

International Classical Music Awards

2023

Nominated - Concerto

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Brahms: Violin Concerto in D major, Op. 77

Work length35:52

Album only

Christian Tetzlaff
Deutsches Symphonie-Orchester Berlin
Robin Ticciati

I. Allegro non troppo (Live)

Track length20:38

Album only

II. Adagio (Live)

Track length7:52

$2.00

$2.60

$3.50

III. Allegro giocoso, ma non troppo vivace (Live)

Track length7:22

$2.00

$2.60

$3.50

Berg: Violin Concerto 'To the Memory of an Angel' (1935)

Work length26:31

$7.00

$9.00

$12.25

Christian Tetzlaff
Deutsches Symphonie-Orchester Berlin
Robin Ticciati

I. Andante. Allegretto

Track length11:12

$3.00

$3.85

$5.25

II. Allegro. Adagio

Track length15:19

$4.00

$5.15

$7.00

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In this new concerto album one of the greatest violinist of his generation, Christian Tetzlaff, offers profound interpretations of two deeply dramatic and lyrical concertos – those of Brahms and Berg – together with the Deutsches Symphonie-Orchester Berlin conducted by Robin Ticciati.

Reviews

December 2022

In his booklet notes, the violinist Christian Tetzlaff points out that he has out that he has played these two central pillars of the concerto repertoire literally hundreds of times, and his intimate knowledge of every corner of the music certainly shows in his performances.

November 2022

Even when he’s accompanying, the sense that each phrase offers a new musical opportunity (without being overdone) is remarkable, as is the innate interplay between him and Ticciati.

January 2023

This is a master violinist at the height of his powers… his playing demonstrates the range of emotion that each work requires. Needless to say, he is wholly in command of the technical demands of each work…. The balance between soloists and orchestra is good.

November 2022

Tetzlaff’s performance of the Brahms Concerto is brisk, and his interpretation at times feels very much of the moment... The first movement’s second subject is deliciously languid, but always moving onwards, and he develops increasing excitement and momentum in the build-up to the great tutti.

Brahms & Berg: Violin Concertos

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