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Special offer. William Walton: The Complete Façades

Hila Plitmann (narrator), Fred Child (narrator), Kevin Deas (narrator), Virginia Arts Festival Chamber Players, JoAnn Falletta

William Walton: The Complete Façades
The present set has a first-class foundation in the accompaniments of JoAnn Falletta and her Virginia ensemble. Tight and witty, a spot-on choice of tempos closely mirrors the text.

Special offer. William Walton: The Complete Façades

Hila Plitmann (narrator), Fred Child (narrator), Kevin Deas (narrator), Virginia Arts Festival Chamber Players, JoAnn Falletta

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This release includes a digital booklet

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The present set has a first-class foundation in the accompaniments of JoAnn Falletta and her Virginia ensemble. Tight and witty, a spot-on choice of tempos closely mirrors the text.

About

Edith Sitwell’s invitation to William Walton to collaborate on an innovative, revolutionary new work came at a critical moment in the young composer’s career, and Façade proved to be his first great success. The peerless combination of a peculiarly English dry wit, genuine pathos and superlative technical skill remains an extraordinary achievement. Sitwell’s verses conjure a satirical and poignant world of bourgeois late-Victorian England, while Walton’s settings unfailingly enhance and enrich the texts in a work in which words and music are unquestionably of equal importance. This release includes the first recording of Small Talk (1922) and three numbers first performed in 1977 but subsequently rejected by the composer. This recording includes not only the refined and polished Façade – An Entertainment as it was left by its creators, but also includes the verses and settings that were re-worked for Façade 2 – A Further Entertainment in the 1970s and other numbers originally conceived for the work and later substituted for other verses, making this recording as complete an edition of the whole piece as anyone could desire. The team of narrators for this recording is a particularly strong one. Hila Plitmann is a two-time GRAMMY Award-winning soprano and actress, while Kevin Deas has gained international renown as one of America’s leading bass-baritones. Fred Child is the host of APM’s Performance Today, the most-listened-to classical music radio show in the USA.

Contents and tracklist

Fanfare
Track length0:39
I. Hornpipe
Track length1:18
II. En famille
Track length2:52
III. Mariner Man
Track length0:40
IV. Long Steel Grass
Track length2:09
V. Through Gilded Trellises
Track length2:10
VI. Tango-Pasodoblé
Track length1:55
VII. Lullaby for Jumbo
Track length1:23
VIII. Black Mrs. Behemoth
Track length0:54
IX. Tarantella
Track length1:22
X. The Man from a Far Countree
Track length1:35
XI. By the Lake
Track length1:41
XII. Country Dance
Track length1:56
XIII. Polka
Track length1:19
XIV. Four in the Morning
Track length2:01
XVI. Valse
Track length3:09
XVII. Jodelling Song
Track length2:14
XVIII. Scotch Rhapsody
Track length1:26
XIX. Popular Song
Track length2:00
XX. Fox-Trot "Old Sir Faulk"
Track length2:12
XXI. Sir Beelzebub
Track length1:03
I. Flourish - Came the Great Popinjay
Track length1:17
II. Aubade
Track length3:23
III. March
Track length0:57
IV. Madame Mouse Trots
Track length0:43
V. The Octogenarian
Track length1:17
VI. Gardener Janus Catches a Naiad
Track length0:57
VII. Water Party
Track length1:08
VIII. Said King Pompey
Track length0:45
I. Small Talk
Track length1:38
II. Daphne
Track length1:44
III. The White Owl
Track length1:08
IV. The Last Galop
Track length1:41

Awards and reviews

December 2022

The present set has a first-class foundation in the accompaniments of JoAnn Falletta and her Virginia ensemble. Tight and witty, a spot-on choice of tempos closely mirrors the text.

October 2022

The playing of the instrumentalists under JoAnn Falletta is exceptionally clear both in manner and recorded sound, Timothy McAllister’s oily saxophone in particular conjuring up the jazz elements that underlay Walton’s original inspirations.

Northern Echo 3rd November 2022

Sitwell’s verses conjure a satirical and poignant world of bourgeois late-Victorian England, while Walton’s settings unfailingly enhance and enrich the texts in a work in which words and music are unquestionably of equal importance.
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