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Mendelssohn: Complete String Quartets, Vol. 1

Quatuor Van Kuijk

Awards:

The Van Kuijk marry high technical polish (tuning and ensemble virtually flawless), close attention to Mendelssohn’s detailed markings and a spirit of youthful, spontaneous ardour.

Mendelssohn: Complete String Quartets, Vol. 1

Quatuor Van Kuijk

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Awards:

The Van Kuijk marry high technical polish (tuning and ensemble virtually flawless), close attention to Mendelssohn’s detailed markings and a spirit of youthful, spontaneous ardour.

About

The Quatuor Van Kuijk celebrates the tenth anniversary of its creation and its sixth recording for Alpha with a complete set of Mendelssohn’s quartets, of which this is the first volume: it opens with the Quartet op.13, composed in 1827, when he was only eighteen years old. ‘A trial run? No, a masterstroke! In every movement of this first quartet, we are constantly aware that the sense of urgency is the blood that runs through its veins. Never before have we heard such tension maintained over an entire quartet’, writes Stéphane Goldet in the album’s booklet notes.

Contents and tracklist

I. Adagio - Allegro vivace
Track length7:45
II. Adagio non lento
Track length7:26
III. Intermezzo. Allegretto con moto - Allegro di molto
Track length4:46
IV. Presto - Adagio non lento
Track length9:45
I. Adagio non troppo - Allegro non tardante
Track length6:55
II. Canzonetta. Allegretto
Track length3:57
III. Andante espressivo
Track length4:17
IV. Molto allegro e vivace
Track length8:04
I. Molto allegro vivace
Track length12:15
II. Menuetto. Un poco allegretto
Track length4:37
III. Andante espressivo ma con moto
Track length5:34
IV. Presto con brio
Track length7:01

Awards and reviews

  • Gramophone Magazine
    Awards Issue 2022
    Editor's Choice

Awards Issue 2022

The Van Kuijk marry high technical polish (tuning and ensemble virtually flawless), close attention to Mendelssohn’s detailed markings and a spirit of youthful, spontaneous ardour.

19th November 2022

Their accounts of the Op 12 intermezzo and presto — with its unmistakable echoes of the Octet’s scherzo — are typical of a disc that glories in playing of extraordinary richness, purity, delicacy and vigour, and burrows deep into the composer’s emotional intent.
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