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The Musical Art Quartet: Complete Columbia Recordings

Sascha Jacobsen (violin), Bernard Ocko (violin), Louis Kaufman (viola), Marie Roemaet-Rosanoff (cello), Paul Bernard (violin), Musical Art Quartet

The Musical Art Quartet: Complete Columbia Recordings

Awards:

The inner glow of the MAQ recordings collected here (they date from 1927-28) is unmatched by any other quartet before or since, and that’s largely down to Kaufman’s exquisite viola-playing.

The Musical Art Quartet: Complete Columbia Recordings

Sascha Jacobsen (violin), Bernard Ocko (violin), Louis Kaufman (viola), Marie Roemaet-Rosanoff (cello), Paul Bernard (violin), Musical Art Quartet

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This release includes a digital booklet

Stream now lossless, 44.1 kHz, 16 bit

Awards:

The inner glow of the MAQ recordings collected here (they date from 1927-28) is unmatched by any other quartet before or since, and that’s largely down to Kaufman’s exquisite viola-playing.

About

Led by the Russian-born violinist Sasha Jacobsen, the Musical Art Quartet was was one of the preeminent quartets established in the US. In fact, the famed cellist Gregor Piatigorsky proclaimed that the Musical Art Quartet was the greatest quartet he ever heard. First violinist Jacobsen made numerous solo recordings before he established the Musical Art Quartet, but is probably best known as the fourth and final name of the popular Gershwin song “Mischa, Jascha, Toscha and Sascha”, the forenames of four renowned Russian-Jewish violinists: Elman, Heifetz, Seidel and Jacobsen. Furthermore, the violist in the Musical Art Quartet was none other than Louis Kaufman, a major violin soloist in his own right. Jacobsen formed the Musical Art Quartet in 1926, and this recording features the ensemble’s complete recordings of quartets by Haydn and Schubert made for the Columbia label in the late-1920s. Their recording of Haydn’s C-major Quartet, op.54 no.2, is the first complete recording of a Haydn quartet ever made. Although the Quartet lasted for over two decades, this contains the group’s only recordings of the quartet repertoire.

Contents and tracklist

I. Vivace
Track length4:44
II. Adagio
Track length3:27
III. Menuetto. Allegretto
Track length3:43
IV. Finale. Adagio
Track length6:24
IV. Finale. Vivace
Track length2:19
I. Allegro moderato
Track length5:47
II. Scherzo. Prestissimo
Track length1:40
III. Adagio
Track length4:28
IV. Allegro
Track length5:47
III. Menuetto. Allegro vivace
Track length3:00
I. Allegro ma non troppo
Track length8:57
II. Andante
Track length6:48
III. Menuetto. Allegretto
Track length5:24
IV. Allegro moderato
Track length6:43

Awards and reviews

  • Gramophone Magazine
    January 2023
    Reissue/Archive Issue of the Month

January 2023

The inner glow of the MAQ recordings collected here (they date from 1927-28) is unmatched by any other quartet before or since, and that’s largely down to Kaufman’s exquisite viola-playing.
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