The present trio sonatas for transverse flute, violin and basso continuo by Christoph Georg Wagenseil, who was one of the most famous Viennese composers of his time, are all conceived in three movements according to the usual sonata scheme of fast - slow - fast, but they are by no means musical 'mass-produced goods', since the music of the 17th and 18th centuries was, without exception, committed to the musical imitation of the so-called 'affects', whereby this term was understood to mean any human emotion. This imitation of affect was considered the highest goal of composition in those days. As means for this imitation, the composer had all the parameters of composition at his disposal, such as style, genre or form, key, melody, rhythm, tempo, meter, harmony, dynamics, articulation and instrumentation, whereby he should always choose such means and their combinations that best corresponded to the intended affect. The Ensemble Klingekunst interprets these trio sonata jewels - all first recordings, by the way - expressively and passionately.