Special offer. Handel: Caio Fabriccio, Hwv A9
London Early Opera, Bridget Cunningham, Fleur Barron, Morgan Pearse
Cunningham directs Caio Fabbricio brilliantly, leading from the harpsichord to energise the other players, and to give them space to exploit juicy passages. The singers’ virtuosity and rich... — More…
Contents
Excerpt,
- London Early Opera
- Bridget Cunningham
Handel: Caio Fabbricio, HWV A9, Act I
- Fleur Barron, Anna Gorbachyova-Ogilvie, Anna Gorbachyova-Ogilviel, Helen Charlston, Miriam Allan, Jess Dandy, Morgan Pearse, Hannah Poulsom
- London Early Opera
- Bridget Cunningham
"Popolo tarentino, qual’è cotesta"
"In così lieto giorno" (after Johann Adolf Hasse)
"Quanto profondo il lusso, e quanto salde"
Handel: Caio Fabbricio, HWV A9, Act II
- Hannah Poulsom, Jess Dandy, Miriam Allan, Fleur Barron, Helen Charlston, Morgan Pearse, Anna Gorbachyova-Ogilvie
- London Early Opera
- Bridget Cunningham
"Io Bircenna, io di Glaucia"
"Amore a lei giurasti" (after Johann Adolf Hasse)
"Inopportuno incontro! ... Non ha più pace l’amor geloso" (after Johann Adolf Hasse)
Handel: Caio Fabbricio, HWV A9, Act III
- Miriam Allan, Hannah Poulsom, Fleur Barron, Morgan Pearse, Anna Gorbachyova, Helen Charlston, Jess Dandy, Anna Gorbachyova-Ogilvie
- London Early Opera
- Bridget Cunningham
"Quanto ti deggio!"
"È grande e bella quella mercede" (after Giuseppe Sellito)
"Principessa, nel tuo giusto dolor veggo il mio torto"