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Handel: Caio Fabriccio, Hwv A9

Fleur Barron (mezzo-soprano), Anna Gorbachyova-Ogilvie, Anna Gorbachyova-Ogilviel, Helen Charlston (mezzo-soprano), Miriam Allan (soprano), Jess Dandy (contralto), Morgan Pearse, Hannah Poulsom, Anna Gorbachyova, London Early Opera, Bridget Cunningham

Handel: Caio Fabriccio, Hwv A9
Cunningham directs Caio Fabbricio brilliantly, leading from the harpsichord to energise the other players, and to give them space to exploit juicy passages. The singers’ virtuosity and rich...

Handel: Caio Fabriccio, Hwv A9

Fleur Barron (mezzo-soprano), Anna Gorbachyova-Ogilvie, Anna Gorbachyova-Ogilviel, Helen Charlston (mezzo-soprano), Miriam Allan (soprano), Jess Dandy (contralto), Morgan Pearse, Hannah Poulsom, Anna Gorbachyova, London Early Opera, Bridget Cunningham

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Cunningham directs Caio Fabbricio brilliantly, leading from the harpsichord to energise the other players, and to give them space to exploit juicy passages. The singers’ virtuosity and rich...

About

The conductor and harpsichordist, Bridget Cunningham brings back to life Handel’s pasticcio opera, Caio Fabbricio first performed in London in 1733 and based on an earlier opera by Johann Adolf Hasse (1732).

Caio Fabbricio is London Early Opera’s eighth album in the prestigious Handel Series with Signum Records and is a pasticcio opera, a brilliant and well-considered collection of some of the finest 18th-century Neapolitan arias by different composers, including Leonardo Vinci and Leonardo Leo, selected and arranged by Handel who composed his own dramatic recitatives.

London Early Opera (LEO) is a vibrant, baroque group of instrumentalists, singers, music teachers, researchers, historians and musicologists on a voyage of rediscovery making glorious baroque music and opera relevant today.

As Artistic Director of London Early Opera, Bridget Cunningham is a leading exponent of baroque music and continues to create these outstanding recordings with Signum Records exploring Handel’s colourful life, influences and experiences which inspired his magnificent musical legacy.

Contents and tracklist

"Popolo tarentino, qual’è cotesta"
Track length0:38
"In così lieto giorno" (after Johann Adolf Hasse)
Track length4:00
"Quanto profondo il lusso, e quanto salde"
Track length2:50
"Fissa ne’ sguardi miei" (after Johann Adolf Hasse)
Track length4:27
"Figlia, Volusio"
Track length2:44
"Il trono, il regno" (after Johann Adolf Hasse)
Track length3:57
"Tutte ella dunque … Vezzi, lusinghe e sguardi" (after Johann Adolf Hasse)
Track length3:31
"Io vivo ancora, o Dèi Quirini, e vivo"
Track length0:56
"Per amor se il cor sospira" (after Leonardo Vinci)
Track length5:55
"Vien’ Pirro, e seco il padre"
Track length0:53
"Quando verrà quel giorno" (after Antonio Pollarolo)
Track length6:20
"Pirro amante di Sestia!"
Track length2:12
"Caro sposo, amato oggetto" (after Johann Adolf Hasse)
Track length8:46
"Io Bircenna, io di Glaucia"
Track length1:24
"Amore a lei giurasti" (after Johann Adolf Hasse)
Track length4:00
"Inopportuno incontro! ... Non ha più pace l’amor geloso" (after Johann Adolf Hasse)
Track length8:12
"Numidico lione, ircana tigre … Giovani cori amanti" (after Johann Adolf Hasse)
Track length4:50
"Caro Volusio, o tu dei voti miei"
Track length0:28
"Al legato roman Turio"
Track length1:34
"Tanto, Volusio, temi l’aspetto mio?"
Track length1:27
"Troppo fiere, disdegnose" (after Francesco Corselli)
Track length4:40
"Che Volusio sia estinto"
Track length2:49
"Al foco del mio amore" (after Tomaso Albinoni)
Track length5:06
"Se in vani contrasti anco indugiate"
Track length1:06
"Non mi chiamar crudele " (after Johann Adolf Hasse)
Track length4:17
"Torna la speme in seno … Nocchier che teme assorto" (after Johann Adolf Hasse)
Track length6:16
"Quanto ti deggio!"
Track length0:45
"È grande e bella quella mercede" (after Giuseppe Sellito)
Track length5:02
"Principessa, nel tuo giusto dolor veggo il mio torto"
Track length0:46
"Volgi a me gl’affetti tuoi" (after Johann Adolf Hasse)
Track length4:14
"Sestia manca a la fede"
Track length0:37
"Quella è mia figlia e’l mio" (after Johann Adolf Hasse)
Track length3:00
"Poiché lunge è’l mio bene, nulla si tema"
Track length1:52
"Vedrai morir costante" (after Johann Adolf Hasse)
Track length5:15
"Giovane incauto"
Track length1:56
"Volusio avverti che il giudice di Pirro in me ti ascolta"
Track length0:54
"Lo sposo va a morte" (after Johann Adolf Hasse)
Track length3:56
"Qualche a l’amor, qualche fiacchezza al sesso … Varcherò le flebil onde" (after Johann Adolf Hasse)
Track length5:37
"Nel da me condannato Volusio"
Track length1:50
"Teco morir vo’ anch’io"
Track length1:43
"Vorrei da lacci sciogliere" (after Leonardo Leo)
Track length5:13
"Con la Pace, le Grazie e il Piacere" (after Francesco Ciampi)
Track length0:47

Awards and reviews

July 2022

Cunningham directs Caio Fabbricio brilliantly, leading from the harpsichord to energise the other players, and to give them space to exploit juicy passages. The singers’ virtuosity and rich characterisations are delightful; particularly good are rising stars sopranos Miriam Allan and Anna Gorbachyova-Ogilvie and mezzo-soprano Fleur Barron.

September 2022

if you have a taste for Hasse’s unfailingly mellifluous music – and don’t expect any Handel – you’ll find plenty to enjoy in a performance of skill, spirit and, where apt, virtuoso panache.
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