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Oh, ma belle brunette

A Nocte Temporis, Reinoud Van Mechelen (tenor)

Oh, ma belle brunette

Awards:

This is a coherent program that balances repetition and contrast to avoid monotony without it coming across as forced. The performances are consistently polished and a sophisticated, and pleasant,...

Oh, ma belle brunette

A Nocte Temporis, Reinoud Van Mechelen (tenor)

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Awards:

This is a coherent program that balances repetition and contrast to avoid monotony without it coming across as forced. The performances are consistently polished and a sophisticated, and pleasant,...

About

The term ‘brunette’ refers not only to a young woman with brown hair, but also to a musical form that was highly fashionable from the late seventeenth century to the early eighteenth. The genre evolved from the air de cour, extremely popular in France since the beginning of the seventeenth century. The compositional process, however, remained very similar: to write a short, tender song, dealing with themes of love or nature, which could be sung alone or accompanied by a harmonic instrument. The late seventeenth century also saw the appearance of an instrument that soon became a favourite of composers and amateur musicians: the German flute, now called the traverso or Baroque flute. In this new programme, tenor Reinoud van Mechelen, flautist Anna Besson and A nocte temporis present an anthology of airs and brunettes ranging from the most touching song to the heartiest drinking song (air à boire).

Contents and tracklist

V. Sarabande
Track length2:22
X. Gavotte en rondeau
Track length1:45

Spotlight on this release

Awards and reviews

  • Gramophone Magazine
    August 2022
    Editor's Choice
  • International Classical Music Awards
    2023
    Nominated - Baroque Vocal

Jan/Feb 2023

This is a coherent program that balances repetition and contrast to avoid monotony without it coming across as forced. The performances are consistently polished and a sophisticated, and pleasant, relaxed quality pervades the recording and matches perfectly the aesthetic of the genre; this is surely not an accident.

August 2022

Easy songs, simple sentiments simply sung by an easy voice. But what a voice! I’m deeply impressed with Reinoud Van Mechelen, so clearly a protégé of Le Jardin des Voix’s powerhouse for young singers.
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