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Special offer. Albert Lortzing: Zum Groß-Admiral

Anett Fritsch (soprano), Julia Sophie Wagner (soprano), Matthias Ettmayr (bass), Bernhard Berchtold (tenor), Jonathan Michie (baritone), Lavinia Dames (soprano), Andreas Hirtreiter (tenor), Martin Blasius (bass), Chor des Bayerischen Rundfunks, Munich Radio Orchestra, Ulf Schirmer

it’s all swept cheerfully along by Ulf Schirmer, conducting an orchestra whose lucid, burnished sound could have been made for Lortzing’s score, and who play with considerable charm and class....

Special offer. Albert Lortzing: Zum Groß-Admiral

Anett Fritsch (soprano), Julia Sophie Wagner (soprano), Matthias Ettmayr (bass), Bernhard Berchtold (tenor), Jonathan Michie (baritone), Lavinia Dames (soprano), Andreas Hirtreiter (tenor), Martin Blasius (bass), Chor des Bayerischen Rundfunks, Munich Radio Orchestra, Ulf Schirmer

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2 CDs

$34.25

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44.1 kHz, 16 bit, FLAC/ALAC/WAV

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320 kbps, MP3

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This release includes a digital booklet

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it’s all swept cheerfully along by Ulf Schirmer, conducting an orchestra whose lucid, burnished sound could have been made for Lortzing’s score, and who play with considerable charm and class....

About

"Ulf Schirmer recorded Albert Lortzing’s Regina in 2011 (CD: CPO 777710-2), and now yet another discovery from this composer’s opera oeuvre of a good dozen works is ready for release: the comic opera Zum Groß-Admiral (The Grand Admiral). Today Lortzing’s name continues to appear in the opera performance repertoire mostly only in association with Zar und Zimmermann or Der Wildschütz, but during his lifetime he was known far and wide not only as a composer but also as a librettist, actor, singer, and conductor. It was Lortzing himself who wrote the libretto for Zum Groß-Admiral, his tenth full-length opera. Composed in Vienna in 1847 and premiered in Leipzig during the same year, this work, like Regina, was born of the spirit of revolution – and completely vanished from performance programs after the revolts of 1848-49. Lortzing, an ardent admirer of Mozart, paid homage to him with the full-length work Szenen aus Mozarts Leben in 1832, and his veneration for this Viennese classical composer is frequently in audible evidence in his music. Already the overture to Zum Groß-Admiral sparkles with lightness and performance joy, and the ensemble scenes as well as the solos and choral scenes continue in the tradition of the mirthful virtuosity of the corresponding scenes in Mozart’s operas while representing supreme challenges for the soloists and the chorus."

Contents and tracklist

Overture
Track length6:32
Lasset Jubel laut ertönen
Track length9:05
O William!
Track length2:06
Des Landes Stolz
Track length9:15
Ich fürchte, ich habe
Track length2:12
Ein Engel ist an Geist und Zügen
Track length2:37
Zum Groß-Admiral?
Track length1:21
Der Hörner ruf verhallet
Track length5:40
Ah, Graf Rochester
Track length2:18
Auch Ich, will Sie sehen
Track length12:41
Wirt, lasset uns die Gläser füllen
Track length7:44
Grtuliere
Track length2:04
Was glänzt im Sonnenstrahle
Track length3:55
Ein schmuckes Lied
Track length2:16
Endlich wird es hier ruhig
Track length0:36
Seh' Ich ein Auge auf mich
Track length2:59
Ah, ihr seid es
Track length1:14
Am murmelnden Bach
Track length7:37
Ah, Guido ist da
Track length1:47
Ha, welch allerliebste Kleine
Track length5:24
Potz Steuer und Kompass!
Track length4:00
Das ist doch sonderbar
Track length10:45
Von allen Seiten tönet lauter Jubel
Track length5:44
Herr Graf!
Track length2:18
Fern vom Treiben
Track length5:19
Oh, welch prächtige Zimmer
Track length1:21
Ach!
Track length4:25
Potz Schott und Wanten!
Track length1:27
Ich fühl's, mein unbeständig' Leben
Track length3:14
Er naht!
Track length15:08

Awards and reviews

Awards Issue 2022

it’s all swept cheerfully along by Ulf Schirmer, conducting an orchestra whose lucid, burnished sound could have been made for Lortzing’s score, and who play with considerable charm and class. A genuine pleasure.

June 2023

Under Ulf Schirmer’s perfectly poetic control, the in-house company shines in spoken dialogue and musical numbers alike, communicating real theatrical enjoyment. The most alluring vocalist is the American baritone Jonathan Michie, suave and velvet-toned as the duplicitous Rochester...the overall quality of the performance ensures that we can raise a full glass to Lortzing’s neglected ‘London pub’ opera.
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