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Sibelius: Works for Violin & Piano

Fenella Humphreys (violin), Joseph Tong (piano)

Awards:

From start to finish Humphreys’s playing is a feast of flawless tuning, beautifully focused and coloured tone and rich characterisation. And there’s no mistaking how Joseph Tong’s accompanying,...

Sibelius: Works for Violin & Piano

Fenella Humphreys (violin), Joseph Tong (piano)

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Awards:

From start to finish Humphreys’s playing is a feast of flawless tuning, beautifully focused and coloured tone and rich characterisation. And there’s no mistaking how Joseph Tong’s accompanying,...

About

As both musician and composer the violin was central to Sibelius’s career, and his output for the instrument spans much of his long life. Acclaimed violinist Fenella Humphreys and celebrated pianist Joseph Tong explore a tantalising programme of Sibelius’s music, from the youthful Andante cantabile in G major composed in 1887, through Opp. 78 and 81, written in the midst of the First World War, to his last works for the instrument – Four Pieces, Op. 115 and Three Pieces, Op. 116 both penned in 1929. Completing the programme are the five Danses champêtres, Op. 106 from 1924–5.

Contents and tracklist

I. Impromptu
Track length1:57
II. Romance
Track length2:55
III. Religioso
Track length5:30
IV. Rigaudon
Track length2:00
I. Mazurka
Track length2:27
II. Rondino
Track length1:53
III. Valse
Track length3:25
IV. Aubade
Track length2:54
V. Menuetto
Track length4:33
I. Largamente assai
Track length4:46
II. Alla polacca
Track length2:23
III. Tempo moderato
Track length4:33
IV. Tempo di Menuetto
Track length3:32
V. Poco moderato
Track length3:25
Auf der Heide
Track length2:20
II. Ballade
Track length3:52
III. Humoreske
Track length2:32
IV. Die Glocken
Track length1:21
I. Scène de danse
Track length2:23
Danse caractéristique
Track length2:46
Rondeau romantique
Track length3:14

Awards and reviews

  • BBC Music Magazine
    March 2022
    Chamber Choice

March 2022

From start to finish Humphreys’s playing is a feast of flawless tuning, beautifully focused and coloured tone and rich characterisation. And there’s no mistaking how Joseph Tong’s accompanying, always immaculate in the earlier pieces, responds vividly to the stronger material in the later ones.

April 2022

no prospective listener is likely to go wrong with this new recording.
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